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THE ILLUSIONIST

The unfathomable mysteries of sexual identity and charisma permeate this dark, meditative tale of a transsexual's murder in upstate New York, by the author of The Hard Rain (1980) and Remember This (1989)—inspired by an actual incident in Nebraska. It's a chilly October night in quiet Sparta, New York, when Chrissie, a local community-college student, first spots Dean Lily performing magic tricks at the local bar. Though the regulars can't help but gather around the magician's table, there's something about this slight, bright-eyed stranger that makes them vaguely uncomfortable. As Chrissie learns once Dean, who's been living in his truck, gratefully moves into her downtown apartment, Dean Lily is really Lily Dean—a man born in a woman's body about 20 years ago in another small town near the Canadian border. Surprisingly, Chrissie doesn't care much that Dean is physically female. For reasons this plain, boyfriendless part-time nursing-home employee can't begin to fathom, she's too strongly attracted to Dean's emotional intensity, butterfly-like elusiveness, and essential strangeness to judge him according to the usual standards. Instead, she watches uneasily as he seduces her boss at the nursing home—a gawky single mother just barely surviving in a shack outside town- -and then mischievously helps him betray his lover by setting up a meeting with the famously unattainable local beauty queen. With each encounter, Dean touches on sexual needs and primal passions previously buried deep beneath the surface of his partners' monotonous daily life—so effectively, in fact, that little time passes before one man's jealous rage and sexual terror explode to destroy Dean and devastate the people who claim to love him most. Smith's harsh but deadly accurate evocation of late-20th- century rural life almost upstages the violent drama in the foreground. Still, both prove memorable in this haunting exploration of a senseless and brutal murder.

Pub Date: Nov. 1, 1997

ISBN: 0-684-84329-3

Page Count: 256

Publisher: Scribner

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Sept. 1, 1997

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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FIREFLY LANE

Dated sermonizing on career versus motherhood, and conflict driven by characters’ willed helplessness, sap this tale of...

Lifelong, conflicted friendship of two women is the premise of Hannah’s maudlin latest (Magic Hour, 2006, etc.), again set in Washington State.

Tallulah “Tully” Hart, father unknown, is the daughter of a hippie, Cloud, who makes only intermittent appearances in her life. Tully takes refuge with the family of her “best friend forever,” Kate Mularkey, who compares herself unfavorably with Tully, in regards to looks and charisma. In college, “TullyandKate” pledge the same sorority and major in communications. Tully has a life goal for them both: They will become network TV anchorwomen. Tully lands an internship at KCPO-TV in Seattle and finagles a producing job for Kate. Kate no longer wishes to follow Tully into broadcasting and is more drawn to fiction writing, but she hesitates to tell her overbearing friend. Meanwhile a love triangle blooms at KCPO: Hard-bitten, irresistibly handsome, former war correspondent Johnny is clearly smitten with Tully. Expecting rejection, Kate keeps her infatuation with Johnny secret. When Tully lands a reporting job with a Today-like show, her career shifts into hyperdrive. Johnny and Kate had started an affair once Tully moved to Manhattan, and when Kate gets pregnant with daughter Marah, they marry. Kate is content as a stay-at-home mom, but frets about being Johnny’s second choice and about her unrealized writing ambitions. Tully becomes Seattle’s answer to Oprah. She hires Johnny, which spells riches for him and Kate. But Kate’s buttons are fully depressed by pitched battles over slutwear and curfews with teenaged Marah, who idolizes her godmother Tully. In an improbable twist, Tully invites Kate and Marah to resolve their differences on her show, only to blindside Kate by accusing her, on live TV, of overprotecting Marah. The BFFs are sundered. Tully’s latest attempt to salvage Cloud fails: The incorrigible, now geriatric hippie absconds once more. Just as Kate develops a spine, she’s given some devastating news. Will the friends reconcile before it’s too late?

Dated sermonizing on career versus motherhood, and conflict driven by characters’ willed helplessness, sap this tale of poignancy.

Pub Date: Feb. 1, 2008

ISBN: 978-0-312-36408-3

Page Count: 496

Publisher: St. Martin's

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Nov. 1, 2007

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