The unfathomable mysteries of sexual identity and charisma permeate this dark, meditative tale of a transsexual's murder in upstate New York, by the author of The Hard Rain (1980) and Remember This (1989)—inspired by an actual incident in Nebraska. It's a chilly October night in quiet Sparta, New York, when Chrissie, a local community-college student, first spots Dean Lily performing magic tricks at the local bar. Though the regulars can't help but gather around the magician's table, there's something about this slight, bright-eyed stranger that makes them vaguely uncomfortable. As Chrissie learns once Dean, who's been living in his truck, gratefully moves into her downtown apartment, Dean Lily is really Lily Dean—a man born in a woman's body about 20 years ago in another small town near the Canadian border. Surprisingly, Chrissie doesn't care much that Dean is physically female. For reasons this plain, boyfriendless part-time nursing-home employee can't begin to fathom, she's too strongly attracted to Dean's emotional intensity, butterfly-like elusiveness, and essential strangeness to judge him according to the usual standards. Instead, she watches uneasily as he seduces her boss at the nursing home—a gawky single mother just barely surviving in a shack outside town- -and then mischievously helps him betray his lover by setting up a meeting with the famously unattainable local beauty queen. With each encounter, Dean touches on sexual needs and primal passions previously buried deep beneath the surface of his partners' monotonous daily life—so effectively, in fact, that little time passes before one man's jealous rage and sexual terror explode to destroy Dean and devastate the people who claim to love him most. Smith's harsh but deadly accurate evocation of late-20th- century rural life almost upstages the violent drama in the foreground. Still, both prove memorable in this haunting exploration of a senseless and brutal murder.
Pub Date: Nov. 1, 1997
ISBN: 0-684-84329-3
Page Count: 256
Publisher: Scribner
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 1, 1997
BOOK REVIEW
BOOK REVIEW
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.
Sisters work together to solve a child-abandonment case.
Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.Pub Date: March 1, 2006
ISBN: 0-345-46752-3
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Dec. 1, 2005
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
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