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BIGGER THAN THE GAME

RESTITCHING A MAJOR LEAGUE LIFE

A flawed yet unique, personal story of an athlete's anguish at the end of his career.

A revealing yet occasionally tedious, seasonlong account of a major league pitcher on the outs.

Toronto Blue Jays broadcaster Hayhurst (Out of My League, 2012, etc.) began what would be his final season in 2010 training "like a beast" and anticipating the publication of his book, The Bullpen Gospels, on opening day. However, he had to win over skeptics who believed anyone who wrote from the inside violated the locker room code and therefore could never be trusted as reliable. Furthermore, talking to the press corps during spring training to garner publicity for his book caused teammates to question his motives, particularly a cocky, malicious pitcher who nicknamed him "Media," and encouraged several teammates to turn against him. Hayhurst wanted to prove he belonged, but he started the season relegated to the training room on the 60-day disabled list with an arm injury—and it only got worse. The combination of prolonged pain and social ostracism made him panicky, and the author admits, "it was a delicate balance of trying to get healthy physically and not unraveling mentally into some anxious, why-am-I-not-healthy mess.” Rarely does an athlete admit publicly to feeling anxious, afraid or depressed, but Hayhurst candidly shows readers that he was fraying both emotionally and physically. (One line sums it up nicely: "Arm pain can make your whole life hurt.") However, the author draws out his emotionally honest story with unnecessary, lengthy accounts of interactions with coaches and trainers, as well as intimate conversations with his wife. Several chapters devoted to his rehabilitation program lend no insight or deeper understanding of his pain.

A flawed yet unique, personal story of an athlete's anguish at the end of his career.

Pub Date: March 1, 2014

ISBN: 978-0-8065-3487-9

Page Count: 340

Publisher: Citadel/Kensington

Review Posted Online: Jan. 11, 2014

Kirkus Reviews Issue: Feb. 1, 2014

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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