A flawed yet unique, personal story of an athlete's anguish at the end of his career.
A revealing yet occasionally tedious, seasonlong account of a major league pitcher on the outs.
Toronto Blue Jays broadcaster Hayhurst (Out of My League, 2012, etc.) began what would be his final season in 2010 training "like a beast" and anticipating the publication of his book, The Bullpen Gospels, on opening day. However, he had to win over skeptics who believed anyone who wrote from the inside violated the locker room code and therefore could never be trusted as reliable. Furthermore, talking to the press corps during spring training to garner publicity for his book caused teammates to question his motives, particularly a cocky, malicious pitcher who nicknamed him "Media," and encouraged several teammates to turn against him. Hayhurst wanted to prove he belonged, but he started the season relegated to the training room on the 60-day disabled list with an arm injury—and it only got worse. The combination of prolonged pain and social ostracism made him panicky, and the author admits, "it was a delicate balance of trying to get healthy physically and not unraveling mentally into some anxious, why-am-I-not-healthy mess.” Rarely does an athlete admit publicly to feeling anxious, afraid or depressed, but Hayhurst candidly shows readers that he was fraying both emotionally and physically. (One line sums it up nicely: "Arm pain can make your whole life hurt.") However, the author draws out his emotionally honest story with unnecessary, lengthy accounts of interactions with coaches and trainers, as well as intimate conversations with his wife. Several chapters devoted to his rehabilitation program lend no insight or deeper understanding of his pain.
A flawed yet unique, personal story of an athlete's anguish at the end of his career.Pub Date: March 1, 2014
ISBN: 978-0-8065-3487-9
Page Count: 340
Publisher: Citadel/Kensington
Review Posted Online: Jan. 11, 2014
Kirkus Reviews Issue: Feb. 1, 2014
BOOK REVIEW
A captivating, redemptive chronicle of a year in which Smith looked intently into the abyss.
This chronicle of a chaotic year filled with deep losses and rich epiphanies finds the writer and performer covering a whole lot of ground.
In terms of the calendar, Smith’s latest memoir has a tighter focus than its predecessors, M Train (2015) and Just Kids (2010), which won the National Book Award. The titular year is 2016, a year that would begin just after the author turned 69 and end with her turning 70. That year, Smith endured the death of her beloved friend Sandy Pearlman, the music producer and manager with whom she would “have coffee at Caffé Trieste, peruse the shelves of City Lights Bookstore and drive back and forth across the Golden Gate listening to the Doors and Wagner and the Grateful Dead”; and the decline of her lifelong friend and kindred spirit Sam Shepard. She held vigil for Pearlman at his hospital deathbed, and she helped Shepard revise his final manuscript, taking dictation when he could no longer type. Throughout, the author ponders time and mortality—no surprise considering her milestone birthday and the experience of losing friends who have meant so much to her. She stresses the importance of memory and the timeless nature of a person’s spirit (her late husband remains very much alive in these pages as well). Seeing her own reflection, she thinks, “I noticed I looked young and old simultaneously.” She refers to herself as the “poet detective,” and this particular year set her on a quixotic quest, with a mysterious companion unexpectedly reappearing amid a backdrop of rock touring, lecture touring, vagabond traveling, and a poisonous political landscape. “I was still moving within an atmosphere of artificial brightness with corrosive edges,” she writes, “the hyperreality of a polarizing pre-election mudslide, an avalanche of toxicity infiltrating every outpost.”
A captivating, redemptive chronicle of a year in which Smith looked intently into the abyss.Pub Date: Sept. 24, 2019
ISBN: 978-0-525-65768-2
Page Count: 192
Publisher: Knopf
Review Posted Online: June 24, 2019
Kirkus Reviews Issue: July 15, 2019
SEEN & HEARD
Her biographer, James Westcott, once said: “every time she tells a story, it gets better,” and one can’t help but wait in...
Legendary performance artist Abramovic unveils her story in this highly anticipated memoir.
When she was growing up, the author lived in an environment of privilege in Yugoslavia, which was on the verge of ruin. Her parents, two fervent communist partisans and loyal officers during Josip Broz Tito’s rule, were not the warmest people. Abramovic was put under the care of several people, only to be taken in by her grandmother. “I felt displaced and I probably thought that if I walked, it meant I would have to go away again somewhere,” she writes. Ultimately, she carried this feeling of displacement throughout most, if not all, of her career. Many remember The Artist Is Present, her 2010 performance at the Museum of Modern Art in New York during which she sat in front of museumgoers for 736 hours, but her work started long before then. As a woman who almost single-handedly launched female performance art, the author has spent the better part of her life studying the different ways in which the body functions in time and space. She pushed herself to explore her body’s limits and her mind’s boundaries (“I [have] put myself in so much pain that I no longer [feel] any pain”). For example, she stood in front of a bow and arrow aimed at her heart with her romantic and performance partner of 12 years, Ulay. She was also one of the first people to walk along the Great Wall of China, a project she conceived when secluded in aboriginal Australia. While the author’s writing could use some polishing, the voice that seeps through the text is hypnotizing, and readers will have a hard time putting the book down and will seek out further information about her work.
Her biographer, James Westcott, once said: “every time she tells a story, it gets better,” and one can’t help but wait in anticipation of what she is concocting for her next tour de force.Pub Date: Oct. 25, 2016
ISBN: 978-1-101-90504-3
Page Count: 384
Publisher: Crown Archetype
Review Posted Online: Aug. 20, 2016
Kirkus Reviews Issue: Sept. 1, 2016
BOOK REVIEW
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