Captivating, gossipy social history.
The tale of a small group of upper-middle-class young women who inhabited the rarefied world of literary London during and after World War II.
Drawing on rich archival sources and the many memoirs, novels, and stories written by his prolific cast of characters, British biographer, novelist, and cultural historian Taylor (The New Book of Snobs, 2017, etc.), winner of the Whitbread Prize for Biography, creates a brisk, spirited portrait of the astonishingly beautiful women who “fizzed” around Cyril Connolly, “a genuine literary power-broker, a grand panjandrum, a maker—and breaker—of reputations,” in 1940s Britain. Self-aggrandizing, self-indulgent, “easily wounded, unforgiving, dislikeable, delightful,” according to a male friend, Connolly inspired “unfeigned devotion” in his female admirers. “Whether they were living with him, employed by him, pursued by him or merely wistfully regarded by him from afar,” Taylor writes, “he was the fulcrum on which their existence turned.” Among those in his orbit, the author focuses mostly on four: Lys Lubbock, a devoted caretaker and survivor of a nine-year affair with Connolly; fiery Barbara Skelton, who married him; his editorial assistant, Sonia Brownell, who married George Orwell; and Janetta Parladé, who was 17 when Connolly anointed her his “muse.” Christened “the lost girls” by poet and critic Peter Quennell, they had “spent their adolescence scheming to escape” oppressive, often fractured, family life. Flouting convention and flaunting independence, still, they yearned for security and love. Physically, they were a type: notably attractive, “tallish, slim to the point of skimpiness” (except for Sonia). Financially vulnerable, each spent the war years “moving from place to place and billet to billet as the demands of work, romance and inclination took her.” Living in an unheated bedsitter, they might depend on “an eligible or not so eligible suitor” to pick up the tab at upscale restaurants. “Glamorous, edgy and inimitable,” the lost girls, Taylor concedes, left no indelible legacy except perhaps as a link between emancipated young women of the 1920s and the “Dionysiac hordes of the 1960s and 1970s.”
Captivating, gossipy social history.Pub Date: Feb. 4, 2020
ISBN: 978-1-64-313315-7
Page Count: 336
Publisher: Pegasus
Review Posted Online: Oct. 13, 2019
Kirkus Reviews Issue: Nov. 1, 2019
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
PERSPECTIVES
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
