by D.L. Hughley ‧ RELEASE DATE: Aug. 7, 2012
A solid combination of a street-tough attitude and a keen grasp of social and political hot-button issues.
Comedian and TV veteran Hughley drops an in-your-face mega-rant on the downward spiral of American culture.
The author’s debut is both serious and funny, without being seriously funny. But while the book may be short on belly laughs, Hughley has a strikingly original take on just about everything. Whether discussing fatherhood, the Democrats in Congress and their kid-gloved relationship with Obama, black stereotypes, growing up in South-Central Los Angeles or the negative influence of the NAACP, the author’s views are rarely predictable. Hughley’s own Horatio Alger success story is compelling enough: rising from the violent streets of LA to successful sales rep at the Los Angeles Times, all while holding together a family and making a name for himself as a standup comedian. Unlike many contemporary entertainers, Hughley prides himself on being unafraid of controversy. He recounts how his championing of free speech over political correctness led him to support Don Imus’ racial slur toward the Rutgers women’s basketball team—or at least his right to make those slurs. The author looks at the undeniable truths in racial stereotyping and the importance of acknowledging these truths. In fact, he uses this topic as a jumping-off point to lambast the NAACP for helping ruin mainstream black TV. Although he almost always finds a nuanced angle in presenting his outspoken opinions, it’s sometimes difficult to know where comedic provocation ends and deadly earnestness begins. Yet his views on marriage, women and kids seem strangely unhinged and harsh compared to the cool approach that makes the book so appealing throughout—e.g., “If they [women] want to make a man like them, then they should try shutting the fuck up once in a while.” But to his credit, Hughley’s a hard-line pragmatist whose brash opinions almost always transcend polarized black/white and liberal/conservative comfort zones.
A solid combination of a street-tough attitude and a keen grasp of social and political hot-button issues.Pub Date: Aug. 7, 2012
ISBN: 978-0-307-98623-8
Page Count: 288
Publisher: Crown Archetype
Review Posted Online: June 30, 2012
Kirkus Reviews Issue: July 15, 2012
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by William Strunk & E.B. White ‧ RELEASE DATE: May 15, 1972
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...
Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").Pub Date: May 15, 1972
ISBN: 0205632645
Page Count: 105
Publisher: Macmillan
Review Posted Online: Oct. 28, 2011
Kirkus Reviews Issue: May 1, 1972
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by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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