Poems that embrace spoken-word rhythms and hippie principles, inspired by the author’s love of music and nature, her peace activism, and her gratitude for Jewish community.
With this collection’s title, Lang (Id Biscuits, 2016, etc.) styles herself a flâneuse—in tongue-in-cheek contrast to a poet laureate. Her verse matches that loose, languid persona thanks to its slang vocabulary (“Ain’t,” “gonna,” “coulda,” “cos”) and poetry-slam cadences. “To Get Free,” which won Best of Show at the 2015 Solano (California) County Fair, is a prime example of Lang’s informal register and message of nonconformity: “C’mon, baby, hit the reset button on your soul. / Do what you love, and not what you’re told.” It’s largely composed of rhyming couplets, like the majority of these poems. Although line and stanza lengths vary, the consistent rhyme and punchy wordplay show that these poems would lend themselves well to oral performance. However, some rhymes edge toward the cheesy (“schmoozing”/“losing,” “whack”/“snack,” “speck”/“trek”). Lang’s themes include wanderlust, love for nature (and especially hiking in the California hills), religious devotion, paying the bills versus living the artist’s life, and transforming from a passive pacifist to an activist. “You gave me lungs, / so that I might breathe peace” expresses forthright praise to God in “What You Created,” and elsewhere, verse expresses delight in Jewish practice: “There’s music and Torah both running through my soul,” she observes—a quirky combination that brings to mind a Jewish Janis Joplin. In the satirical “Doves in Season,” the traditional peace symbol is being hunted. “Fear not the rocking boat,” another poem advises, encouraging readers to question racism, capitalism, and America’s reliance on weapons. There’s “more than one way to be an American,” the poem “Headline Antidote” insists; indeed, this collection imagines a peaceful, joyful future America. Some readers may dismiss this poetry as naïvely hippie-esque—its sentiments can be clichéd and repetitive, and the book would have benefited from culling and subheadings—but its righteous enthusiasm is admirable.
Free-spirited ideals couched in fairly infectious rhymes.Pub Date: Jan. 16, 2016
ISBN: 978-1-5187-1324-8
Page Count: 180
Publisher: CreateSpace
Review Posted Online: May 10, 2016
Kirkus Reviews Issue: June 15, 2016
Review Program: Kirkus Indie
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Merging geographic precision with detailed lyricism, Berry’s collection of poetry spans continents and states of the soul.
The best poetry focused on a particular locale tends to evoke sensory stimulation as much as meaning, and Berry’s collection of nearly 60 poems is no different. Born in England, the author has travelled widely throughout Africa and the United States. With a doctorate in geography, she casts a discriminating, discerning eye on the landscapes to which her travels have taken her. In unrhymed, compact poems—few more than a page in length—the poet speaks with seriousness about the relationship between the natural world and one’s inner world. In “Music of Place,” she writes: “Carried in the wind is the music of place, blown / like washing on a line, white sheets flapping, sending / large billowing folds of sound back to me,” which typifies her ability to translate a place into a finely detailed, highly specific moment in her past or present. Some poems set in North Africa elevate journallike jottings into sharply etched experiences. The dominant moods suffusing these poems are calm and meditational, perhaps reflecting the influence of poet Elizabeth Bishop, who was also attuned to inner and outer geographies. The final 20 poems shift focus from geography and place to reconciliations or frictions with family members; many relatives have passed on but are vibrantly alive in the author’s memory. These family sketches often turn on a particularly poignant phrase spoken to the author by a parent or loved one: “Windows” pivots on Berry’s father’s comment, “I could drive if I wanted to,” as the author notes that her father never owned a car. Few books of recent poetry reveal such a penetrating awareness of how the environments in which we live affect us as much as we affect them. An extraordinary, nuanced collection by a gifted poet.
Pub Date: Aug. 1, 2010
ISBN: 978-1935514749
Page Count: 80
Publisher: Plain View
Review Posted Online: April 11, 2012
Kirkus Reviews Issue: May 1, 2012
Review Program: Kirkus Indie
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Engaging lyric poetry that manages to be sensual and cerebral, fun and profound.
Readers willing to dig deeper than the work of poets Derek Walcott, Linton Kwesi Johnson and Anthony Joseph will find that exciting new worlds of Caribbean poetry await. Although some lesser-known Caribbean writers tend to get bogged down in the exotic fecundity of their island landscapes, others write with a grace and steadiness that highlights personal experience within the larger context of culture and environment to reveal something universal. Trinidadian novelist, painter and poet Drayton (The Crystal Bird, 2012, etc.) most decidedly falls into the latter category. Her personal poems often focus on singular moments in her past, yet her evocation of the slippage between past and present, of how we manage to exist in both times simultaneously, speaks directly to readers. The exploration of how “time…magically overlaps generations” pervades this collection. Her narrators are buffeted by nostalgia but are never fatalistic or cloying; instead, they treasure the past and the present as a single fabric of interwoven threads. One narrator, for instance, revisits a memorable beach and finds that the “scenery I knew has all but gone, / except for the sea. / Longing and waiting, I dream of the days / that never can be again. / The sea waits while I dream a dream / where I stand on the balcony of this precious day.” Drayton invests symbols with a similar complexity; the titular brown dove, for instance, is at once a symbol of maternal devotion, sexual allure, rebellion and quiet endurance, and is rife with gender and racial resonances. Occasionally, her more contemplative poems suffer from excess erudition, and she is sometimes prone to distracting alliteration, but she also delivers unmatched similes such as, “The morning stormed my day / like a drunken party crasher / with streams of gold and white ribbons / coming through the window.”
Wise, kind and lively verse that truly “dances to a tune that’s / gloriously redeeming / of anger, hate, and envy. / It’s an awesome authority / with boundless energy.”Pub Date: Nov. 20, 2012
ISBN: 978-1478160045
Page Count: 120
Publisher: CreateSpace
Review Posted Online: Jan. 31, 2013
Kirkus Reviews Issue: March 1, 2013
Review Program: Kirkus Indie
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