A captivating supernatural tale brimming with well-crafted drama and sensitive characterization.
A newly minted priest assigned a parish in a sleepy fishing village encounters its dark past in this thriller.
Father Tommy Hickey is fresh out of the seminary and disappointed to have drawn such a dismal inaugural assignment—he’s to take control of St. Peter’s Parish in Galilee, a fishing village in Rhode Island. To make matters worse, when he arrives, he quickly learns that his predecessor, Father Gilday, just recently died—the priest had been there for a half-century—and so he would have to begin his duties unsupervised, “thrown right into the trenches.” Slowly, Father Hickey is confronted by the oddness of Galilee—dozens of cats are regularly found dead around the church each morning. One local, Ted Roberts, complains that his dead mother angrily haunts him, and that Abaddon, Satan’s right-hand man, plans to come to her grave soon. Another parishioner, Janie, reveals that her young son, Peter, died as a result of her negligence and that his soul is imperiled. All of this might be connected to the town’s morbid past—a fisherman who raped and murdered women was killed by an angry mob of townspeople. In this novella—it’s not quite 100 pages—Tracey unravels a complex tale with great restraint and suspense. The plot is artfully unpredictable, and imbued with an ambient atmosphere of foreboding. The author’s prose is conspicuously unembellished and blandly earnest. Father Hickey, upon arriving at St. Peter’s, thinks aloud: “I sure could use a rescue from here.” Nevertheless, the draw of the tale is the story itself and its characters, drawn with psychological nuance. Tracey has fashioned an intensely gripping tale, a story intelligently undergirded by a thoughtful reflection on the elusiveness of one’s spiritual purpose on Earth.
A captivating supernatural tale brimming with well-crafted drama and sensitive characterization.Pub Date: Feb. 28, 2021
ISBN: 978-1-66551-730-0
Page Count: 154
Publisher: AuthorHouse
Review Posted Online: March 19, 2021
Review Program: Kirkus Indie
BOOK REVIEW
Trust no one in this over-the-top tale of deception and revenge.
Dead bodies turn up in the first sentence of the prologue in McFadden’s latest domestic thriller.
The mystery of who died is at the pulsating heart of this propulsive tale. As Chapter 1 begins, Naomi arrives home to find the locks changed on the front door of the gorgeous home she shares with her husband, Jeremy, and their 5-year-old son, Teddy. Jeremy steps out the front door and convinces Naomi to move out while he has their home renovated, a plan Naomi knows nothing about. It’s all a ruse, though, as the next day Jeremy tells her he wants a divorce. Naomi is shellshocked and soon discovers that Jeremy is having an affair with Veronica, a beautiful younger woman. What seems at first like a stereotypical story about a man who leaves his wife turns into something else when Naomi decides she’ll do anything to get Veronica away from Jeremy and Teddy, and Veronica decides to fight for what she thinks she deserves. Fans of stalker novels will cringe with delight as creepy things start to happen. Teddy’s stuffed elephant, a gift from Veronica, is found impaled on a kitchen knife; Naomi suspects Jeremy is gaslighting her and that Veronica tried to poison her. A weird confrontation among Jeremy, Veronica, and Naomi at Teddy’s birthday party, to which Naomi shows up uninvited, is priceless. There are three main characters, and any or all of them may be unreliable narrators. Packing the plot with dark, gasp-inducing twists, McFadden outdoes herself in a story about how highly emotional people engage in risky behavior to get what they want—but in this novel, for better or worse, not everyone will survive.
Trust no one in this over-the-top tale of deception and revenge.Pub Date: May 26, 2026
ISBN: 9781464249631
Page Count: 368
Publisher: Poisoned Pen
Review Posted Online: April 20, 2026
Kirkus Reviews Issue: May 15, 2026
BOOK TO SCREEN
Amateurish, with a twist savvy readers will see coming from a mile away.
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
BOOK REVIEW
BOOK REVIEW
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