Prose as crisp as a New England morning—in a by-the-numbers tour of Vermont’s dark side that fades against so much vivid...
Routine pastoral police procedural by Bredes (Muldoon, not reviewed, etc.) pits a homegrown cop against the usual suspects in a lonely northern Vermont border town.
It’s the fall foliage season, but Tipton village is hardly scenic for recently returned native son Hector Bellevance. Harvard grad Bellevance was a Boston police officer but quit after a shot he fired went wild and killed his partner; then he worked in a Cape Cod restaurant until his marriage to the owner ended in divorce. Now, living in the farmhouse he was raised in, Bellevance enforces building codes and chases down wild dogs as Tipton’s only constable. Things get considerably more exciting when his philandering, ne’er-do-well half-brother, Preston “Spud” LaClaire, informs him that French-Canadian Otto Morganthau and his beautiful Lebanese wife, Gaea, have been horribly murdered in their vacation home. Bellevance quickly learns that Spud did more than merely blunder onto the reeking, week-old crime scene; he knew about the killing three days earlier and, worse yet, may have been sleeping with Gaea. While Bellevance has only jaundiced eyes for Spud, he knows his half-brother is no murderer and tries to keep pushy State Trooper Ed Evans from forcing an early confession. Bellevance’s search for a murderer and a motive throws him into bed with conveniently divorced journalist Wilma Strong-Parkhurst. Together they uncover a variety of vermin related by blood, lust, or greed: a pornographer who makes sex films in a former girl’s camp, a crazed militia leader, sleazy land speculators, corrupt cops, smugglers, and meddlesome French-Canadians.
Prose as crisp as a New England morning—in a by-the-numbers tour of Vermont’s dark side that fades against so much vivid local color.Pub Date: Feb. 1, 2001
ISBN: 0-609-60687-5
Page Count: 256
Publisher: Harmony
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Jan. 1, 2001
BOOK REVIEW
BOOK REVIEW
Miller makes Homer pertinent to women facing 21st-century monsters.
A retelling of ancient Greek lore gives exhilarating voice to a witch.
“Monsters are a boon for gods. Imagine all the prayers.” So says Circe, a sly, petulant, and finally commanding voice that narrates the entirety of Miller’s dazzling second novel. The writer returns to Homer, the wellspring that led her to an Orange Prize for The Song of Achilles (2012). This time, she dips into The Odyssey for the legend of Circe, a nymph who turns Odysseus’ crew of men into pigs. The novel, with its distinctive feminist tang, starts with the sentence: “When I was born, the name for what I was did not exist.” Readers will relish following the puzzle of this unpromising daughter of the sun god Helios and his wife, Perse, who had negligible use for their child. It takes banishment to the island Aeaea for Circe to sense her calling as a sorceress: “I will not be like a bird bred in a cage, I thought, too dull to fly even when the door stands open. I stepped into those woods and my life began.” This lonely, scorned figure learns herbs and potions, surrounds herself with lions, and, in a heart-stopping chapter, outwits the monster Scylla to propel Daedalus and his boat to safety. She makes lovers of Hermes and then two mortal men. She midwifes the birth of the Minotaur on Crete and performs her own C-section. And as she grows in power, she muses that “not even Odysseus could talk his way past [her] witchcraft. He had talked his way past the witch instead.” Circe’s fascination with mortals becomes the book’s marrow and delivers its thrilling ending. All the while, the supernatural sits intriguingly alongside “the tonic of ordinary things.” A few passages coil toward melodrama, and one inelegant line after a rape seems jarringly modern, but the spell holds fast. Expect Miller’s readership to mushroom like one of Circe’s spells.
Miller makes Homer pertinent to women facing 21st-century monsters.Pub Date: April 10, 2018
ISBN: 978-0-316-55634-7
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Jan. 22, 2018
Kirkus Reviews Issue: Feb. 1, 2018
PROFILES
A modern day fable, with modern implications in a deceiving simplicity, by the author of Dickens. Dali and Others (Reynal & Hitchcock, p. 138), whose critical brilliance is well adapted to this type of satire. This tells of the revolt on a farm, against humans, when the pigs take over the intellectual superiority, training the horses, cows, sheep, etc., into acknowledging their greatness. The first hints come with the reading out of a pig who instigated the building of a windmill, so that the electric power would be theirs, the idea taken over by Napoleon who becomes topman with no maybes about it. Napoleon trains the young puppies to be his guards, dickers with humans, gradually instigates a reign of terror, and breaks the final commandment against any animal walking on two legs. The old faithful followers find themselves no better off for food and work than they were when man ruled them, learn their final disgrace when they see Napoleon and Squealer carousing with their enemies... A basic statement of the evils of dictatorship in that it not only corrupts the leaders, but deadens the intelligence and awareness of those led so that tyranny is inevitable. Mr. Orwell's animals exist in their own right, with a narrative as individual as it is apt in political parody.
Pub Date: Aug. 26, 1946
ISBN: 0452277507
Page Count: 114
Publisher: Harcourt, Brace
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: Aug. 1, 1946
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