Billy Pilgrim, meet Billy Twillig—no Vonnegutian unstuck-in-time traveler, but another lugubrious pubescent hero beset by strange experiences having to do with extraterrestrial contact and space-time distortion. DeLillo's Billy is a fourteen-year-old, Bronx-bred mathematical genius, recipient of the Nobel Prize, who is summoned to a huge computer-radiotelescope complex called Space Brain to decode a cryptic message received from the vicinity of Ratner's Star. The author of Americana and End Zone has invented a futuristic, surrealistic research institute where the beauty and terror of pure science meets the absurdity of bureaucratic science and the paranoia of corporate applied science. Billy must dodge the attempts of a secret Honduran/Germanic cartel—led by Elux Troxl, who speaks Latinate garble, and Grbk, who smells like a foot and speaks Speedwriting—to wire his brain to Space Brain for purposes of profit. He must also elude the seductions of pneumatic female colleagues and the nameless perils of a knowledge which has driven one eminent colleague to live in a hole and eat worms, another into fits of narcolepsy. DeLillo's novel pirouettes madly at the new/ancient intersection of science and mysticism, simultaneously participating in and parodying our most modern discoveries: that we are as primitive as ever in the face of the expanded Unknown, and that all knowledge curves back boomerang-like on the self. It is a novel to be read, not for plot (rambling, obscure) nor for character (a thousand loony variations on the author), but for prose—DeLillo's enraptured aria to the twin kabala of mathematics and language, in arc after dazzling arc of words.
Pub Date: June 4, 1976
ISBN: 0679722920
Page Count: 448
Publisher: Knopf
Review Posted Online: Sept. 22, 2011
Kirkus Reviews Issue: June 1, 1976
Corrosive dispatches from the divided heart of America.
Edgy humor and fierce imagery coexist in these stories with shrewd characterization and humane intelligence, inspired by volatile material sliced off the front pages.
The state of race relations in post-millennial America haunts most of the stories in this debut collection. Yet Adjei-Brenyah brings to what pundits label our “ongoing racial dialogue” a deadpan style, an acerbic perspective, and a wicked imagination that collectively upend readers’ expectations. “The Finkelstein 5,” the opener, deals with the furor surrounding the murder trial of a white man claiming self-defense in slaughtering five black children with a chainsaw. The story is as prickly in its view toward black citizens seeking their own justice as it is pitiless toward white bigots pressing for an acquittal. An even more caustic companion story, “Zimmer Land,” is told from the perspective of an African-American employee of a mythical theme park whose white patrons are encouraged to act out their fantasies of dispensing brutal justice to people of color they regard as threatening on sight, or “problem solving," as its mission statement calls it. Such dystopian motifs recur throughout the collection: “The Era,” for example, identifies oppressive class divisions in a post-apocalyptic school district where self-esteem seems obtainable only through regular injections of a controlled substance called “Good.” The title story, meanwhile, riotously reimagines holiday shopping as the blood-spattered zombie movie you sometimes fear it could be in real life. As alternately gaudy and bleak as such visions are, there’s more in Adjei-Brenyah’s quiver besides tough-minded satire, as exhibited in “The Lion & the Spider,” a tender coming-of-age story cleverly framed in the context of an African fable.
Corrosive dispatches from the divided heart of America.Pub Date: Oct. 23, 2018
ISBN: 978-1-328-91124-7
Page Count: 208
Publisher: Mariner/Houghton Mifflin Harcourt
Review Posted Online: July 16, 2018
Kirkus Reviews Issue: Aug. 1, 2018
BOOK REVIEW
PROFILES
Doerr captures the sights and sounds of wartime and focuses, refreshingly, on the innate goodness of his major characters.
Doerr presents us with two intricate stories, both of which take place during World War II; late in the novel, inevitably, they intersect.
In August 1944, Marie-Laure LeBlanc is a blind 16-year-old living in the walled port city of Saint-Malo in Brittany and hoping to escape the effects of Allied bombing. D-Day took place two months earlier, and Cherbourg, Caen and Rennes have already been liberated. She’s taken refuge in this city with her great-uncle Etienne, at first a fairly frightening figure to her. Marie-Laure’s father was a locksmith and craftsman who made scale models of cities that Marie-Laure studied so she could travel around on her own. He also crafted clever and intricate boxes, within which treasures could be hidden. Parallel to the story of Marie-Laure we meet Werner and Jutta Pfennig, a brother and sister, both orphans who have been raised in the Children’s House outside Essen, in Germany. Through flashbacks we learn that Werner had been a curious and bright child who developed an obsession with radio transmitters and receivers, both in their infancies during this period. Eventually, Werner goes to a select technical school and then, at 18, into the Wehrmacht, where his technical aptitudes are recognized and he’s put on a team trying to track down illegal radio transmissions. Etienne and Marie-Laure are responsible for some of these transmissions, but Werner is intrigued since what she’s broadcasting is innocent—she shares her passion for Jules Verne by reading aloud 20,000 Leagues Under the Sea. A further subplot involves Marie-Laure’s father’s having hidden a valuable diamond, one being tracked down by Reinhold von Rumpel, a relentless German sergeant-major.
Doerr captures the sights and sounds of wartime and focuses, refreshingly, on the innate goodness of his major characters.Pub Date: May 6, 2014
ISBN: 978-1-4767-4658-6
Page Count: 448
Publisher: Scribner
Review Posted Online: March 5, 2014
Kirkus Reviews Issue: March 15, 2014
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
BOOK TO SCREEN
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