A smart, funny, and sneakily terrifying version of the way we live now. (Do not read without working air conditioning.)
In the throes of a sanity-destroying summer, a Toronto woman explores a dangerous new hobby.
It’s not just hot, it’s an “end-of-days climate that increasingly resembled an Old Testament Hell.” In fact, thinks Beatrice Billings, “It could rain frogs now and humanity would take it in stride….Oh, it’s always rained frogs....She knew our Saviour had thrown in the towel and gone back to His golf game, and knew that mankind deserved to be punished. Certainly Bea deserved it.” Why does Bea, a 49-year-old Toronto art dealer with a son in college and a shaky marriage, think she deserves punishment? It begins on just another day she’s stuck in her empty gallery feeling lonely, bored, stressed out, and claustrophobic. She Googles “escape.” One video later, she’s sending away for a lock-picking kit. Not long after, she joins a lock-picking club; turns out, she’s very good at it. Next thing she knows, she's trailing a woman who’s just paid cash for a $1,500 dress. She returns to the woman’s home the next day, gets in fairly easily, and leaves with a rich store of knowledge about the lives of this woman and her husband—and also the dress. It doesn’t stop there for Bea, though after the first time, stealing isn’t part of the routine. She does tend to leave marks of her uninvited visits, at one house typing a Descartes joke into a crappy philosophy manuscript and, at another, phoning in a tip to a suicide hotline. Gillmor does an impressive job of keeping Bea not just sympathetic but even normal-seeming as this outlandish summer progresses. She does all she can for her mother, who’s in memory care; she’s patient with her annoying sister, who has lots of opinions while not contributing at all; she misses her son, whose presence in her life has been reduced to infrequent texts, not to mention her husband, who’s drifted as far from her as she has from him. As for breaking and entering? The genius of this book is to capture the exact way a familiar world of aging parents and divorcing friends and nice charcuterie platters could go right around the bend. Oh, you know, it’s always rained frogs.
A smart, funny, and sneakily terrifying version of the way we live now. (Do not read without working air conditioning.)Pub Date: Aug. 15, 2023
ISBN: 9781771965231
Page Count: 240
Publisher: Biblioasis
Review Posted Online: Aug. 10, 2023
Kirkus Reviews Issue: Sept. 1, 2023
BOOK REVIEW
PERSPECTIVES
Fans of Stockett’s bestselling debut will love this engaging follow-up.
Stockett heads to Mississippi for another historical novel about feisty women.
This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.
Fans of Stockett’s bestselling debut will love this engaging follow-up.Pub Date: May 5, 2026
ISBN: 9781954118812
Page Count: 656
Publisher: Spiegel & Grau
Review Posted Online: Feb. 2, 2026
Kirkus Reviews Issue: March 1, 2026
BOOK REVIEW
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
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