by Don Gutteridge ‧ RELEASE DATE: Oct. 4, 2019
A long but intensely involving tale of a tempestuous life.
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A sprawling historical novel about one woman's life on the Canadian frontier.
Gutteridge’s novel centers on Lily Corcoran, whom readers meet as a young girl in 1845 in Ontario’sMoore Township. There, White settlers are still in the process of felling trees and displacing First Nations inhabitants in order to build farms, homesteads, and towns. As a young girl, Lily hears from an old First Nations elder that the world is rapidly changing: “Two days walk south of here and they say you’ll come to roads chopped through the bush, and White Mens drives his wagons on roads made of dead trees, and Chatham is bigger than ten Ojibwa villages.” Readers with some knowledge of 19th-century history will know some of the events that await young Lily,whose father calls her “Lady Fairchild,” and Gutteridge’s narrative proceeds at a steady pace to unfold that history. It follows Lily through many adventures, including her sometimes-fractious relationships with men (including three husbands), a world war, and countless smaller changes as her life moves through the early part of the 20th century. Even in Lily’s early childhood, she deals with her mother’s melancholia, the violence of slave hunters, and the dawning of her own young womanhood. She later lives with her fiercely independent Aunt Bridie, and over the course of hundreds of pages, readers meet her beloved husband Tom Marshall and her two boys, Robbie and Brad, and they experience touching interludes with her semiofficial foster son, Eddie. Her later years are buffeted by tragedies, but she retains the bright spirit of the young girl in the very first chapter.
Long-haul, multigenerational historical fiction such as this is often a victim of skewed perspective, as authors, deeply ensconced in often years of research, often overestimate how much detail their readers will want to endure. Gutteridge’s narrative is prodigiously researched (and includes a bibliography), but he never overloads his audience; instead, he seamlessly works the historical grounding into what is, first and foremost, an intensely personal story. The book’s large and varied cast is uniformly well drawn, but Lily towers over the rest; from her earliest scenes, she’s by far the most compelling figure in the narrative. Gutteridge believably and effectively captures her youthful exuberance, as well as her resilience, even in the face of a heartbreaking tragedy in the book’s final pages. He combines his character study with beautifully evocative prose; at one point, for instance, after sunset, “Lily was sure she could hear the River tuning up for its nightsong”; at another, a character’s skin is described as having “the pallor and touch of gray-white mushrooms too long in the rain.” Overall, the author does an excellent job of giving his narrative the feel of a life as it is lived. Readers of such books as Larry McMurtry’s Lonesome Dove (1985) or Anna Waldo’s Sacajawea (1978) will see a similar kind of storytelling here; it’s a difficult feat to manage, but Gutteridge does so.
A long but intensely involving tale of a tempestuous life.Pub Date: Oct. 4, 2019
ISBN: 978-1-970160-69-7
Page Count: 414
Publisher: EC Publishing LLC
Review Posted Online: July 5, 2020
Review Program: Kirkus Indie
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by Kathryn Stockett ‧ RELEASE DATE: May 5, 2026
Fans of Stockett’s bestselling debut will love this engaging follow-up.
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New York Times Bestseller
Stockett heads to Mississippi for another historical novel about feisty women.
This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.
Fans of Stockett’s bestselling debut will love this engaging follow-up.Pub Date: May 5, 2026
ISBN: 9781954118812
Page Count: 656
Publisher: Spiegel & Grau
Review Posted Online: Feb. 2, 2026
Kirkus Reviews Issue: March 1, 2026
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by Lisa See ‧ RELEASE DATE: June 9, 2026
A flawed but necessary read about a dark moment in American history.
See’s latest novel exposes a forgotten, ugly chapter in LA history—the brutal 1871 massacre of 18 Chinese immigrant men and boys.
In July 1870, two Chinese women arrive in Lo Sang, a dusty frontier town known by its white and Hispanic residents as Los Angeles. Seventeen-year-old Dove, the bound-footed daughter of an imperial scholar fallen on hard times, is the new second wife of Old Man Sing, a merchant in the tiny Chinese community on Calle de los Negros. Barefoot, dark-skinned Petal, sold into servitude to a Gold Mountain tong by her desperately poor peasant father, is destined for the Midnight Garden, a bawdy house owned by Headman Sam. Witnessing the newcomers’ arrival is Moon, the wife of a successful doctor of traditional Chinese medicine. Unlike Petal and Dove, she speaks English, and she assists her husband in his clinic. The three alternating narratives—Petal tells her story as she lives it in 1870; an elderly Moon recalls past events from 1926; and Dove’s tale is recounted in a distant third-person voice—create a portrait of a tiny immigrant community surrounded by a hostile culture and ruled by rival tongs. It’s a shootout between these disputing factions that sets off the horrifying events of Oct. 24, 1871, when a mob of about 500 white and Latine residents torture and lynch their Chinese victims. Although meticulously researched, See’s novel feels curiously flat. Despite continual descriptions of gunfights breaking out, Los Angeles never fully comes to life as a rough-and-tumble Wild West town. While the author’s female protagonists, inspired by historical figures, are well drawn (kudos to the feisty and determined Petal), most of her male characters—Chinese, Anglo, and Mexican—are as flat and indistinguishable as cardboard. Another drawback is See’s stilted and stylized dialogue, typical of historical fiction but wearying to the modern reader.
A flawed but necessary read about a dark moment in American history.Pub Date: June 9, 2026
ISBN: 9781982117054
Page Count: 384
Publisher: Scribner
Review Posted Online: May 4, 2026
Kirkus Reviews Issue: June 1, 2026
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