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BEFORE BEING

A METAPHYSICAL INQUIRY INTO NOTHINGNESS, BECOMING, AND THE MYSTERY OF BEING HUMAN

A deeply academic and satisfying philosophical inquiry that tackles some of life’s biggest questions.

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A philosophical examination of the concept of absolute nothingness.

This work from author and physician-scientist Howard begins the way many academic-leaning treatises do, with both a preface and a prologue establishing its central aims and questions. The author endeavors to define what, exactly, we humans can conceive as true nothingness—that is, a nothing beyond thought, a nothing before thought. Not just an absence, or a void, but nothing whatsoever. Such an abstruse concept is an understandable barrier to entry for many readers, but Howard starts off slowly by addressing ancient schools of philosophy, from the Greeks to cultures in Asia, and their relationship to the idea of nothing. The problem he runs into is that even the great philosophers of the more recent eras, such as Heidegger and Sartre, conceive of a nothingness that can only be understood in relation to something. Readers will do well to remember the author’s earlier admission: “We cannot fully picture what we are talking about.” But Howard tries nevertheless, showing readers the manner in which modern physics can illuminate but not quite touch this idea of nothingness, eventually landing on his actual premise, or at least what he refers to as the book’s “conceptual center”: “the radical idea that absolute nothingness could not hold.” The author develops this conceptual center through notions of existence and consciousness as a gift, and uses the parameters he has established to attempt to answer, at least in part, the more relatable questions of who we are as humans and why we are here.

As one might glean from this description, Howard’s text is quite dense, even at a slim 130 pages. That being said, for readers who are willing to slow down, and especially for those with an academic interest or professional background in philosophy—these readers are likely the work’s target audience—there is quite a bit of meat on the bone here, most especially when it comes to the interplay between Howard’s idea of absolute nothingness and our own brains, which are notoriously averse to abandoning any semblance of structure or labels. This is a challenging work that seems to promise readers that some of the universe’s secrets may be hiding in its pages, if only they are willing to push their own minds to the limits of their understanding. While at times this stance can seem adversarial, there is a clear sense that Howard wants readers to grasp these difficult concepts (in a disclaimer, the author writes, “Readers are encouraged to engage critically and thoughtfully with the ideas presented”), and it is refreshing to encounter a work of philosophy that is so deeply academic yet also concerned with readability. Certain grating peccadilloes do pop up in the text here and there, such as the author pronouncing that the book is actually beginning, for real now, multiple times. The audience for this book might be somewhat narrow, but readers up to the challenge are sure to be glad they found Howard’s work.

A deeply academic and satisfying philosophical inquiry that tackles some of life’s biggest questions.

Pub Date: Sept. 11, 2025

ISBN: 9798992917864

Page Count: 164

Publisher: N/A

Review Posted Online: Nov. 13, 2025

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A WEALTH OF PIGEONS

A CARTOON COLLECTION

A virtuoso performance and an ode to an undervalued medium created by two talented artists.

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The veteran actor, comedian, and banjo player teams up with the acclaimed illustrator to create a unique book of cartoons that communicates their personalities.

Martin, also a prolific author, has always been intrigued by the cartoons strewn throughout the pages of the New Yorker. So when he was presented with the opportunity to work with Bliss, who has been a staff cartoonist at the magazine since 1997, he seized the moment. “The idea of a one-panel image with or without a caption mystified me,” he writes. “I felt like, yeah, sometimes I’m funny, but there are these other weird freaks who are actually funny.” Once the duo agreed to work together, they established their creative process, which consisted of working forward and backward: “Forwards was me conceiving of several cartoon images and captions, and Harry would select his favorites; backwards was Harry sending me sketched or fully drawn cartoons for dialogue or banners.” Sometimes, he writes, “the perfect joke occurs two seconds before deadline.” There are several cartoons depicting this method, including a humorous multipanel piece highlighting their first meeting called “They Meet,” in which Martin thinks to himself, “He’ll never be able to translate my delicate and finely honed droll notions.” In the next panel, Bliss thinks, “I’m sure he won’t understand that the comic art form is way more subtle than his blunt-force humor.” The team collaborated for a year and created 150 cartoons featuring an array of topics, “from dogs and cats to outer space and art museums.” A witty creation of a bovine family sitting down to a gourmet meal and one of Dumbo getting his comeuppance highlight the duo’s comedic talent. What also makes this project successful is the team’s keen understanding of human behavior as viewed through their unconventional comedic minds.

A virtuoso performance and an ode to an undervalued medium created by two talented artists.

Pub Date: Nov. 17, 2020

ISBN: 978-1-250-26289-9

Page Count: 272

Publisher: Celadon Books

Review Posted Online: Aug. 30, 2020

Kirkus Reviews Issue: Sept. 15, 2020

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THE MYTH OF SISYPHUS

AND OTHER ESSAYS

This a book of earlier, philosophical essays concerned with the essential "absurdity" of life and the concept that- to overcome the strong tendency to suicide in every thoughtful man-one must accept life on its own terms with its values of revolt, liberty and passion. A dreary thesis- derived from and distorting the beliefs of the founders of existentialism, Jaspers, Heldegger and Kierkegaard, etc., the point of view seems peculiarly outmoded. It is based on the experience of war and the resistance, liberally laced with Andre Gide's excessive intellectualism. The younger existentialists such as Sartre and Camus, with their gift for the terse novel or intense drama, seem to have omitted from their philosophy all the deep religiosity which permeates the work of the great existentialist thinkers. This contributes to a basic lack of vitality in themselves, in these essays, and ten years after the war Camus seems unaware that the life force has healed old wounds... Largely for avant garde aesthetes and his special coterie.

Pub Date: Sept. 26, 1955

ISBN: 0679733736

Page Count: 228

Publisher: Knopf

Review Posted Online: Sept. 19, 2011

Kirkus Reviews Issue: Sept. 1, 1955

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