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WALKING WITH JACK

A FATHER'S JOURNEY TO BECOME HIS SON'S CADDIE

A golf-is-life allegory that fails to make the cut.

Novelist and memoirist Snyder (The Winter Travelers: A Christmas Fable, 2011, etc.) returns with the overwrought story of his training to be a caddie so he could help his son, who hopes for a PGA career.

Written in the form of a journal, the book proceeds from late 2006 to early 2012, when the author’s son, Jack, after a winter’s discontent with tournament golf, decided he would surrender his athletic dreams. Snyder begins by declaring he wants to stay close to his son because he never wanted “to lose him the way my father had lost me.” He describes his 2007 decision to go to Scotland, where he lived frugally, often out of contact with his wife, son and daughters, to learn caddying. Jack made the golf team at the University of Toledo but was dropped from the team (poor grades), greatly disappointing the author, who wrestles throughout with this turn of events. Snyder, a talkative father, rarely misses an opportunity to preach to his son. The clichés flow in an endless stream—keep trying, don’t give up, life is a struggle, “it’s the mistakes that really determine the shape of our lives.” Often more telling than the words are the silences. The author rarely mentions his daughters (what do they think of all this?) and writes little about his wife, even though she didn’t see him for months. The author is not shy about self-promotion—we hear continually about his writing and how often his true grit has paid off—and he delivers some anti–Tiger Woods rants, as well.

A golf-is-life allegory that fails to make the cut.

Pub Date: June 11, 2013

ISBN: 978-0-385-53635-6

Page Count: 352

Publisher: Doubleday

Review Posted Online: May 11, 2013

Kirkus Reviews Issue: June 1, 2013

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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I AM OZZY

An autobiography as toxic and addictive as any drug its author has ever ingested.

The legendary booze-addled metal rocker turned reality-TV star comes clean in his tell-all autobiography.

Although brought up in the bleak British factory town of Aston, John “Ozzy” Osbourne’s tragicomic rags-to-riches tale is somehow quintessentially American. It’s an epic dream/nightmare that takes him from Winson Green prison in 1966 to a presidential dinner with George W. Bush in 2004. Tracing his adult life from petty thief and slaughterhouse worker to rock star, Osbourne’s first-person slang-and-expletive-driven style comes off like he’s casually relating his story while knocking back pints at the pub. “What you read here,” he writes, “is what dribbled out of the jelly I call my brain when I asked it for my life story.” During the late 1960s his transformation from inept shoplifter to notorious Black Sabbath frontman was unlikely enough. In fact, the band got its first paying gigs by waiting outside concert venues hoping the regularly scheduled act wouldn’t show. After a few years, Osbourne and his bandmates were touring America and becoming millionaires from their riff-heavy doom music. As expected, with success came personal excess and inevitable alienation from the other members of the group. But as a solo performer, Osbourne’s predilection for guns, drink, drugs, near-death experiences, cruelty to animals and relieving himself in public soon became the stuff of legend. His most infamous exploits—biting the head off a bat and accidentally urinating on the Alamo—are addressed, but they seem tame compared to other dark moments of his checkered past: nearly killing his wife Sharon during an alcohol-induced blackout, waking up after a bender in the middle of a busy highway, burning down his backyard, etc. Osbourne is confessional to a fault, jeopardizing his demonic-rocker reputation with glib remarks about his love for Paul McCartney and Robin Williams. The most distinguishing feature of the book is the staggering chapter-by-chapter accumulation of drunken mishaps, bodily dysfunctions and drug-induced mayhem over a 40-plus-year career—a résumé of anti-social atrocities comparable to any of rock ’n’ roll’s most reckless outlaws.

An autobiography as toxic and addictive as any drug its author has ever ingested.

Pub Date: Jan. 25, 2010

ISBN: 978-0-446-56989-7

Page Count: 320

Publisher: Grand Central Publishing

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 1, 2009

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