Action is the purpose here, and Mann and Pezzullo deliver. Those looking for something more could be dissatisfied.
Bang. A shoot'em-up novel contemporaneous with world politics.
Thomas Crocker is a red-blooded, patriotic warrior and leader of the fabled SEAL Team Six. His five team members cover the spectrum of American society, and all are tough, battle-hardened and ready for action at a moment’s notice. That notice begins in Bangkok as a young autistic boy is left an orphan when a bomb is attached to his parents’ car by a passing motorcycle rider. The attack is duplicated toward American targets in other foreign cities, and we are off on a global chase for the very bad guys. Mann and Pezzullo (Seal Team Six: Hunt the Scorpion, 2013, etc.) bring it on fast and heavy. They put the reader in the center of the action—the smells, sounds, savagery of war. (Note that author Mann is a former SEAL.) This war against terrorism targets an Iranian government–sanctioned cadre called Unit 5000 that intends to do serious damage on American soil. To stop them, Crocker and his SEALs work with the CIA and move quickly from Afghanistan to Thailand to Venezuela, ending in Ahvaz, Iran, running through the bad guys’ offices. The SEALs are efficient and deadly, scarred physically and mentally from their work. And it is work, plain and simple, for the warriors they are trained to be, leaving their families to fend for themselves within the secrecy each man must maintain. Mann and Pezzullo can write action and place, politics and patriotism, but the novel feels like it is stitched together, a travelogue of violence. The characters are not fully formed but remain snapshots of what we envision a Navy SEAL to be in the flesh. Retribution drives Crocker as much as duty and patriotic zeal, and when the good guys win, they end with a sentimental moment with the autistic orphan the book began with. Like a good SEAL mission, the circle is completed.
Action is the purpose here, and Mann and Pezzullo deliver. Those looking for something more could be dissatisfied.Pub Date: Dec. 3, 2013
ISBN: 978-0-316-24711-5
Page Count: 336
Publisher: Mulholland Books/Little, Brown
Review Posted Online: Nov. 23, 2013
Kirkus Reviews Issue: Dec. 15, 2013
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.
Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.
Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.Pub Date: April 24, 2018
ISBN: 978-1-5011-5464-5
Page Count: 368
Publisher: Atria
Review Posted Online: Feb. 5, 2018
Kirkus Reviews Issue: Feb. 15, 2018
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