Unsparing reminiscences that effectively combine the bittersweet life of a world-class photojournalist with a generous selection of his haunting lifework. A product of one of north London's tougher slums, McCullin came of age during the WW II blitz. Having returned to the old neighborhood and an animation-lab job following a hitch in the RAF (where he acquired an interest in photography), the author sold some shots of local gang members to The Observer. Further assignments resulted, and McCullin was off on a globe-trotting career that over three decades would take him to 120 foreign countries and more than two dozen wars—in Biafra, Cambodia, the Congo, Cyprus, El Salvador, Iran, Israel, Lebanon, Northern Ireland, Uganda, Vietnam, etc. During the years that he made a name for himself bringing home to newspaper readers the horrific realities of battle for noncombatants as well as front-line troops, the author narrowly escaped death on countless occasions. At once drawn to and repelled by the bloody violence whose heart of darkness he so graphically captured on film, McCullin marches to the beat of a different drummer these days. Leaving little doubt that his focus on the force of arms was as much a matter of circumstance as choice, he notes that somewhere along the line the UK press began covering lifestyles in preference to life. With his brand of stark images in disfavor, the author and his employer of 18 years (London's Sunday Times) parted company during the early 1980's. Meanwhile, McCullin lost his wife to brain cancer, further diminishing his tolerance for death and destruction. Today, the author rattles about a Somerset farmstead, trying to come to terms with a volatile past, restless present, and uncertain future. A genuinely affecting memoir that reckons, without self-pity, the cost and loss involved in making one's way on the cutting edge of conflict. (Ninety-four powerful photographs.)
Pub Date: Feb. 1, 1992
ISBN: 0-679-40646-8
Page Count: 304
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 1, 1991
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...
Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").Pub Date: May 15, 1972
ISBN: 0205632645
Page Count: 105
Publisher: Macmillan
Review Posted Online: Oct. 28, 2011
Kirkus Reviews Issue: May 1, 1972
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
BOOK REVIEW
BOOK REVIEW
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
