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UNREASONABLE BEHAVIOUR

Name: UNREASONABLE BEHAVIOUR
Author: Don McCullin
ISBN: 0-679-40646-8

AN AUTOBIOGRAPHY

by Don McCullin with Lewis Chester ‧ RELEASE DATE: Feb. 1, 1992

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Unsparing reminiscences that effectively combine the bittersweet life of a world-class photojournalist with a generous selection of his haunting lifework. A product of one of north London's tougher slums, McCullin came of age during the WW II blitz. Having returned to the old neighborhood and an animation-lab job following a hitch in the RAF (where he acquired an interest in photography), the author sold some shots of local gang members to The Observer. Further assignments resulted, and McCullin was off on a globe-trotting career that over three decades would take him to 120 foreign countries and more than two dozen wars—in Biafra, Cambodia, the Congo, Cyprus, El Salvador, Iran, Israel, Lebanon, Northern Ireland, Uganda, Vietnam, etc. During the years that he made a name for himself bringing home to newspaper readers the horrific realities of battle for noncombatants as well as front-line troops, the author narrowly escaped death on countless occasions. At once drawn to and repelled by the bloody violence whose heart of darkness he so graphically captured on film, McCullin marches to the beat of a different drummer these days. Leaving little doubt that his focus on the force of arms was as much a matter of circumstance as choice, he notes that somewhere along the line the UK press began covering lifestyles in preference to life. With his brand of stark images in disfavor, the author and his employer of 18 years (London's Sunday Times) parted company during the early 1980's. Meanwhile, McCullin lost his wife to brain cancer, further diminishing his tolerance for death and destruction. Today, the author rattles about a Somerset farmstead, trying to come to terms with a volatile past, restless present, and uncertain future. A genuinely affecting memoir that reckons, without self-pity, the cost and loss involved in making one's way on the cutting edge of conflict. (Ninety-four powerful photographs.)

Pub Date: Feb. 1, 1992

ISBN: 0-679-40646-8

Page Count: 304

Publisher: Knopf

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 1, 1991

Categories:

GENERAL NONFICTION

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NUTCRACKER

by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996

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This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

Categories:

GENERAL NONFICTION

- BOOK REVIEW
THE NUTCRACKER AND THE MOUSE KING
by E.T.A. Hoffmann ; adapted by Natalie Andrewson ; illustrated by Natalie Andrewson

- BOOK REVIEW
THE NUTCRACKER
by E.T.A. Hoffmann & illustrated by Julie Paschkis

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

by Ludwig Bemelmans ‧ RELEASE DATE: Feb. 23, 1955

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An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.