Perfect for Yoakam fans looking for a book-length critical defense of his work.
Music critic McLeese (Journalism/Univ. of Iowa; The New York Times Reader: Arts & Culture, 2010, etc.) examines the career of iconoclastic country star Dwight Yoakam.
The author informs us early on that this book is not intended to be a biography, but rather “an extended piece of music and culture criticism.” Of course, McLeese provides some biographical detail, mainly as an entry into how Yoakam’s upbringing and experiences have informed his work. Of particular interest to the author, clearly a fan of his subject, is the musician’s childhood fascination with television and especially the Monkees, influences that led Yoakam to Los Angeles, where his career began. Though his earliest support came, oddly, from that city’s punk-music scene, it’s clear that Yoakam had his sights set on Nashville stardom from the beginning. The book often reads as a refutation of the charge that Yoakam, because he paid attention to his image and put on a good show, and later pursued an acting career, is somehow less “authentic” an artist because of it. Though McLeese does a fine job countering that idea, his focus on it over 200-plus pages begins to feel defensive. The narrative benefits from the author’s extensive access to Yoakam and his collaborators, most notably longtime guitarist and producer Pete Anderson, as it proceeds album by album through his career. Context on the country-music industry and how it has changed during Yoakam’s time, particularly B.G. and A.G. (before and after the rise of Garth Brooks in the early 1990s), adds depth to what might otherwise read as an extended magazine article.
Perfect for Yoakam fans looking for a book-length critical defense of his work.Pub Date: March 15, 2012
ISBN: 978-0-292-72381-8
Page Count: 232
Publisher: Univ. of Texas
Review Posted Online: Feb. 19, 2012
Kirkus Reviews Issue: March 1, 2012
BOOK REVIEW
PROFILES
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
PERSPECTIVES
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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