Witty, intelligent activist-caper, with a thought-provoking narrative that doesn’t get swamped in its own satire.
Trouble ensues when an environazi from the Left Coast hatches a plan to take down a mountain development—and seduces a few local women to help him pull it off.
Kyle Hess is one of those writers who are read only by other writers—in this case, nature writers like those in Erin Furlong’s Burlington, Vermont, workshop. A transplanted Oregonian, Erin was once Kyle’s lover back home, and she invites him to meet with her workshop and share his insights on nature writing. Not just a mere tree-hugger, Kyle is an outright saboteur who has organized and executed violent attacks against developments in California and the Pacific Northwest, and Erin’s students quickly find that he is more interested in talking about Mount Mansfield than writing. That’s because Mount Mansfield (Vermont’s highest mountain) is now being eyed by real estate developers who want to build a resort, as well as by broadcasters who have already started to erect transmitting towers at the peak. Kyle systematically works his way into the beds of three of Erin’s students—llama farmer Lauren, realtor Marianna, and sports bimbo Rachel—bringing each into his underground plan to subvert the construction. Marianna is an unwilling accomplice from the first, and Lauren becomes increasingly wary when she learns that Kyle is being hunted by angry movement types from California over some mishap that he fomented back there. But Rachel is a total groupie, and they are all madly enough in love with him to push their qualms out the window along with their self-respect. So we know there will be big trouble soon. Erin alone seems to know what Kyle is capable of, but she still goes weak in the knees when he’s about.
Witty, intelligent activist-caper, with a thought-provoking narrative that doesn’t get swamped in its own satire.Pub Date: April 16, 2004
ISBN: 1-58465-357-4
Page Count: 256
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 1, 2004
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
Genetically engineered dinosaurs run amok in Crichton's new, vastly entertaining science thriller. From the introduction alone—a classically Crichton-clear discussion of the implications of biotechnological research—it's evident that the Harvard M.D. has bounced back from the science-fantasy silliness of Sphere (1987) for another taut reworking of the Frankenstein theme, as in The Andromeda Strain and The Terminal Man. Here, Dr. Frankenstein is aging billionaire John Hammond, whose monster is a manmade ecosystem based on a Costa Rican island. Designed as the world's ultimate theme park, the ecosystem boasts climate and flora of the Jurassic Age and—most spectacularly—15 varieties of dinosaurs, created by elaborate genetic engineering that Crichton explains in fascinating detail, rich with dino-lore and complete with graphics. Into the park, for a safety check before its opening, comes the novel's band of characters—who, though well drawn, double as symbolic types in this unsubtle morality play. Among them are hero Alan Grant, noble paleontologist; Hammond, venal and obsessed; amoral dino-designer Henry Wu; Hammond's two innocent grandchildren; and mathematician Ian Malcolm, who in long diatribes serves as Crichton's mouthpiece to lament the folly of science. Upon arrival, the visitors tour the park; meanwhile, an industrial spy steals some dino embryos by shutting down the island's power—and its security grid, allowing the beasts to run loose. The bulk of the remaining narrative consists of dinos—ferocious T. Rex's, voracious velociraptors, venom-spitting dilophosaurs—stalking, ripping, and eating the cast in fast, furious, and suspenseful set-pieces as the ecosystem spins apart. And can Grant prevent the dinos from escaping to the mainland to create unchecked havoc? Though intrusive, the moralizing rarely slows this tornado-paced tale, a slick package of info-thrills that's Crichton's most clever since Congo (1980)—and easily the most exciting dinosaur novel ever written. A sure-fire best-seller.
Pub Date: Nov. 7, 1990
ISBN: 0394588169
Page Count: 424
Publisher: Knopf
Review Posted Online: Sept. 21, 2011
Kirkus Reviews Issue: Oct. 15, 1990
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