An engrossing blend of history and literary contrivance.
In Samson’s historical novel, an aspiring scribe in a late 14th-century Swiss town is drawn into the race to find a spy working for the French.
Sixteen-year-old Benedictus Waisel lives in Solodurum, a quirky town that superstitiously fetishizes the number 11—for the residents, a dozen is always one fewer than what everyone else understands. Benedictus hails from generations of stonemasons, but he plans to break family tradition and become a scrivener, a dream imparted to him by his beloved grandfather, who taught him how to read. However, after he discovers he simply can’t afford to join the Scriveners Guild or pay for an apprenticeship, he joins the City Guard and soon distinguishes himself defending Solodurum’s borders from invading French forces (“you opened the breach in their line, you know. I saw it all. That took a lot of courage”), becoming grievously wounded. Baron Roland de Cornu takes notice of Benedictus—it is uncommon that a guard can read—and makes him a kind of personal assistant in his hunt for a traitor he is convinced has infiltrated the city and is aiding the French. The author weaves together fact and fiction in such a way that they are “happily married at the altar of Imagination,” deftly drawing from the town’s rich history. At the heart of the tale is its fascinating protagonist—on the one hand, Benedictus is a shiftless teen adrift in meandering irresoluteness, but on the other hand, he is a young man of great intelligence and honor capable of extraordinary bravery. The plot pinballs erratically at times from one dramatic episode to another, but from this cacophony of events emerges a coherent narrative, captured with great subtlety in Benedictus’ fictional memoir. Samson takes the reader on an edifying tour of a vanished world, and in the process beguiles with a thoroughly entertaining tale.
An engrossing blend of history and literary contrivance.Pub Date: April 14, 2024
ISBN: 9781732537255
Page Count: 276
Publisher: N/A
Review Posted Online: March 20, 2025
Kirkus Reviews Issue: June 1, 2025
Review Program: Kirkus Indie
BOOK REVIEW
A sparse, beautifully drawn story about a teen discovering her heritage.
In this YA graphic novel, an alienated Métis girl learns about her people’s Canadian history.
Métis teenager Echo Desjardins finds herself living in a home away from her mother, attending a new school, and feeling completely lonely as a result. She daydreams in class and wanders the halls listening to a playlist of her mother’s old CDs. At home, she shuts herself up in her room. But when her history teacher begins to lecture about the Pemmican Wars of early 1800s Saskatchewan, Echo finds herself swept back to that time. She sees the Métis people following the bison with their mobile hunting camp, turning the animals’ meat into pemmican, which they sell to the Northwest Company in order to buy supplies for the winter. Echo meets a young girl named Marie, who introduces Echo to the rhythms of Métis life. She finally understands what her Métis heritage actually means. But the joys are short-lived, as conflicts between the Métis and their rivals in the Hudson Bay Company come to a bloody head. The tragic history of her people will help explain the difficulties of the Métis in Echo’s own time, including those of her mother and the teen herself. Accompanied by dazzling art by Henderson (A Blanket of Butterflies, 2017, etc.) and colorist Yaciuk (Fire Starters, 2016, etc.), this tale is a brilliant bit of time travel. Readers are swept back to 19th-century Saskatchewan as fully as Echo herself. Vermette’s (The Break, 2017, etc.) dialogue is sparse, offering a mostly visual, deeply contemplative juxtaposition of the present and the past. Echo’s eventual encounter with her mother (whose fate has been kept from readers up to that point) offers a powerful moment of connection that is both unexpected and affecting. “Are you…proud to be Métis?” Echo asks her, forcing her mother to admit, sheepishly: “I don’t really know much about it.” With this series opener, the author provides a bit more insight into what that means.
A sparse, beautifully drawn story about a teen discovering her heritage.Pub Date: March 15, 2018
ISBN: 978-1-55379-678-7
Page Count: 48
Publisher: HighWater Press
Review Posted Online: Feb. 28, 2018
Kirkus Reviews Issue: May 1, 2018
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
A solid introduction for budding lovers of the Bard.
Something is rotten in the state of Denmark.
The timeless tale of the young and disaffected Danish prince who is pushed to avenge his father’s untimely murder at the hands of his brother unfolds with straightforward briskness. Shakespeare’s text has been liberally but judiciously cut, staying true to the thematic meaning while dispensing with longer speeches (with the notable exception of the renowned “to be or not to be” soliloquy) and intermediary dialogues. Some of the more obscure language has been modernized, with a glossary of terms provided at the end; despite these efforts, readers wholly unfamiliar with the story might struggle with independent interpretation. Where this adaptation mainly excels is in its art, especially as the play builds to its tensely wrought final act. Illustrator Kumar (World War Two, 2015, etc.) pairs richly detailed interiors and exteriors with painstakingly rendered characters, each easily distinguished from their fellows through costume, hairstyle, and bearing. Human figures are generally depicted in bust or three-quarter shots, making the larger panels of full figures all the more striking. Heavily scored lines of ink form shadows, lending the otherwise bright pages a gritty air. All characters are white.
A solid introduction for budding lovers of the Bard. (biography of Shakespeare, dramatis personae, glossary) (Graphic novel. 12-18)Pub Date: Aug. 27, 2019
ISBN: 978-93-81182-51-2
Page Count: 90
Publisher: Campfire
Review Posted Online: July 12, 2019
Kirkus Reviews Issue: Aug. 1, 2019
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