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WHO WANTS CANDIED HAWBERRIES?

A heartwarming story with a bit of mystery, available in both English and Chinese.

In winter, an old man enters Cat’s Eye Hutong (alleyway or lane) with his bicycle, fitted with a rack filled with candied hawberry skewers, a Chinese treat.

He hopes to sell all so that he can buy medicine but first puts down a box of fish scraps in the snow. He calls for customers, but none appear. The charming, naïve watercolor-and–colored-pencil paintings begin to fill with feline images built into the architecture. Then a small child wearing a white medical mask (sometimes worn to prevent the spread of germs) buys a stick of hawberries, but as she walks off, the man notices a white tail peeking from her coat. Other young, masked buyers appear; all have tails, and one’s mask has slipped, exposing whiskers. Finally, a human girl buys the last stick, and when the old man asks her about the kids with tails, she informs him that only “Kitties have tails” but points up to cats on the rooftops all eating the red hawberry sticks. Careful readers will remember the fish left “as usual.” This book publishes simultaneously with an edition in Simplified Chinese, which features simplified characters and transliterated text in a small font directly above the characters. Backmatter includes a glossary keyed to intermediate-level readers, three-to-a-page thumbnails of the illustrations with English text, and note with cultural background (sadly missing in the English-only edition); further Chinese learning materials are available on the publisher’s website.

A heartwarming story with a bit of mystery, available in both English and Chinese. (Picture book. 6-8)

Pub Date: Dec. 1, 2016

ISBN: 978-1-945-29519-5

Page Count: 36

Publisher: Candied Plums

Review Posted Online: Nov. 1, 2016

Kirkus Reviews Issue: Nov. 15, 2016

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WAITING IS NOT EASY!

From the Elephant & Piggie series

A lesson that never grows old, enacted with verve by two favorite friends

Gerald the elephant learns a truth familiar to every preschooler—heck, every human: “Waiting is not easy!”

When Piggie cartwheels up to Gerald announcing that she has a surprise for him, Gerald is less than pleased to learn that the “surprise is a surprise.” Gerald pumps Piggie for information (it’s big, it’s pretty, and they can share it), but Piggie holds fast on this basic principle: Gerald will have to wait. Gerald lets out an almighty “GROAN!” Variations on this basic exchange occur throughout the day; Gerald pleads, Piggie insists they must wait; Gerald groans. As the day turns to twilight (signaled by the backgrounds that darken from mauve to gray to charcoal), Gerald gets grumpy. “WE HAVE WASTED THE WHOLE DAY!…And for WHAT!?” Piggie then gestures up to the Milky Way, which an awed Gerald acknowledges “was worth the wait.” Willems relies even more than usual on the slightest of changes in posture, layout and typography, as two waiting figures can’t help but be pretty static. At one point, Piggie assumes the lotus position, infuriating Gerald. Most amusingly, Gerald’s elephantine groans assume weighty physicality in spread-filling speech bubbles that knock Piggie to the ground. And the spectacular, photo-collaged images of the Milky Way that dwarf the two friends makes it clear that it was indeed worth the wait.

A lesson that never grows old, enacted with verve by two favorite friends . (Early reader. 6-8)

Pub Date: Nov. 4, 2014

ISBN: 978-1-4231-9957-1

Page Count: 64

Publisher: Hyperion

Review Posted Online: Nov. 4, 2014

Kirkus Reviews Issue: Nov. 15, 2014

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WHAT THE ROAD SAID

Inspiration, shrink wrapped.

From an artist, poet, and Instagram celebrity, a pep talk for all who question where a new road might lead.

Opening by asking readers, “Have you ever wanted to go in a different direction,” the unnamed narrator describes having such a feeling and then witnessing the appearance of a new road “almost as if it were magic.” “Where do you lead?” the narrator asks. The Road’s twice-iterated response—“Be a leader and find out”—bookends a dialogue in which a traveler’s anxieties are answered by platitudes. “What if I fall?” worries the narrator in a stylized, faux hand-lettered type Wade’s Instagram followers will recognize. The Road’s dialogue and the narration are set in a chunky, sans-serif type with no quotation marks, so the one flows into the other confusingly. “Everyone falls at some point, said the Road. / But I will always be there when you land.” Narrator: “What if the world around us is filled with hate?” Road: “Lead it to love.” Narrator: “What if I feel stuck?” Road: “Keep going.” De Moyencourt illustrates this colloquy with luminous scenes of a small, brown-skinned child, face turned away from viewers so all they see is a mop of blond curls. The child steps into an urban mural, walks along a winding country road through broad rural landscapes and scary woods, climbs a rugged metaphorical mountain, then comes to stand at last, Little Prince–like, on a tiny blue and green planet. Wade’s closing claim that her message isn’t meant just for children is likely superfluous…in fact, forget the just.

Inspiration, shrink wrapped. (Picture book. 6-8, adult)

Pub Date: March 23, 2021

ISBN: 978-1-250-26949-2

Page Count: 40

Publisher: Feiwel & Friends

Review Posted Online: April 7, 2021

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