by Donia Bijan ‧ RELEASE DATE: April 18, 2017
Poignant and absorbing, the book explores the pull not only of family, but of the place we first call home.
This lyrical debut novel, an immigrant saga and coming-of-age story, provides a tantalizing look at Iran pre- and post-revolution.
It begins with a present-day reunion: Noor, sent to America to study when the Islamists took over in the 1970s, has returned to Tehran to visit her beloved father, Zod. She is accompanied by her teenage daughter, Lily—Noor and the girl’s father are divorced—who wants no part of the homecoming. The ailing Zod runs a diminished version of Café Leila, once a celebrated restaurant with an adjoining hotel and lush garden, where Noor and her brother grew up: “[It] contained their history, everything important had happened here,” the author writes. “It had been her entire world, an oasis where on hot summer afternoons they drank iced mint sherbets under a canopy of trees.” The book then flashes back, filling in the story of how Zod’s parents emigrated from Russia to Iran, his studies in Paris as a young man, and his blissfully happy marriage to Noor’s mother, Pari. It also traces Noor’s often lonely life as an émigré in northern California. In Tehran again, the focus shifts to Lily and her transition from a belligerent wild child to an almost grown-up who begins to embrace her Persian roots. There is drama aplenty in these pages—involving Pari’s untimely death, in particular—but everything feels authentic; the writing is precise and self-assured. The author, an Iranian émigré who became a chef in America (publishing a recipe-laced memoir, Maman's Homesick Pie, 2011), sprinkles her novel with sensuous descriptions of food, underlining its connection to memory. And she tells her story from multiple perspectives, creating sympathetic characters with rich inner lives. If the ending isn’t completely satisfying, it’s at least pleasantly unexpected.
Poignant and absorbing, the book explores the pull not only of family, but of the place we first call home.Pub Date: April 18, 2017
ISBN: 978-1-61620-585-0
Page Count: 304
Publisher: Algonquin
Review Posted Online: Feb. 4, 2017
Kirkus Reviews Issue: Feb. 15, 2017
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by Kristin Hannah ‧ RELEASE DATE: Feb. 3, 2015
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
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More About This Book
BOOK TO SCREEN
SEEN & HEARD
by Chinua Achebe ‧ RELEASE DATE: Jan. 23, 1958
This book sings with the terrible silence of dead civilizations in which once there was valor.
Written with quiet dignity that builds to a climax of tragic force, this book about the dissolution of an African tribe, its traditions, and values, represents a welcome departure from the familiar "Me, white brother" genre.
Written by a Nigerian African trained in missionary schools, this novel tells quietly the story of a brave man, Okonkwo, whose life has absolute validity in terms of his culture, and who exercises his prerogative as a warrior, father, and husband with unflinching single mindedness. But into the complex Nigerian village filters the teachings of strangers, teachings so alien to the tribe, that resistance is impossible. One must distinguish a force to be able to oppose it, and to most, the talk of Christian salvation is no more than the babbling of incoherent children. Still, with his guns and persistence, the white man, amoeba-like, gradually absorbs the native culture and in despair, Okonkwo, unable to withstand the corrosion of what he, alone, understands to be the life force of his people, hangs himself. In the formlessness of the dying culture, it is the missionary who takes note of the event, reminding himself to give Okonkwo's gesture a line or two in his work, The Pacification of the Primitive Tribes of the Lower Niger.
This book sings with the terrible silence of dead civilizations in which once there was valor.Pub Date: Jan. 23, 1958
ISBN: 0385474547
Page Count: 207
Publisher: McDowell, Obolensky
Review Posted Online: April 23, 2013
Kirkus Reviews Issue: Jan. 1, 1958
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