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LET IT CROW! LET IT CROW! LET IT CROW!

More than ever, Meg strikes while the iron is hot.

Fans who think that Virginia blacksmith Meg Langslow has forgotten her vocation because of all her amateur detective work will be delighted to hear that her latest adventure features no fewer than eight blacksmiths.

Alec Franzetti, an old acquaintance but never exactly a friend of Meg’s even though they were both trained in the craft by William Faulkner Cates, has brainstormed Blades of Glory, a new reality TV series set in retired drummer Ragnar Ragnarson’s castle/farmhouse in which six blacksmiths—or, more precisely, bladesmiths—compete to forge the best weapons and win cash and eternal glory. Meg’s attempt to stay clear of the whole enterprise fails when someone mugs Faulk, breaking his arm, removing him from competition and leading him to entreat Meg to take his place in order to safeguard the unwise loan he and his husband made to Alec to underwrite the series. Three of the smiths Meg joins, Victor Noone, Andy Kim, and John Dunigan, are fine with that arrangement, but the other two, Duncan Jackson and Brody McIlvaney, whine about their number including Victor, a Black smith; Andy, a Korean American; and Meg, a woman. When somebody starts messing with Meg’s and Andy’s forges, it’s pretty obvious who the guilty party is, and soon after Meg confronts the saboteur with evidence against him, he’s found dead in Ragnar’s cow pasture—unavailable, as the producers fret, for any retakes. The limited cast focuses the mystery more sharply than the extended-family reunions that some of Meg’s recent Christmas-adjacent tales have more closely resembled, and those crows turn out to have an important, though highly improbable, role to play.

More than ever, Meg strikes while the iron is hot.

Pub Date: Oct. 10, 2023

ISBN: 9781250893963

Page Count: 304

Publisher: Minotaur

Review Posted Online: Aug. 12, 2023

Kirkus Reviews Issue: Sept. 1, 2023

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CLOSE TO DEATH

Gloriously artificial, improbable, and ingenious. Fans of both versions of Horowitz will rejoice.

What begins as a decorous whodunit set in a gated community on the River Thames turns out to be another metafictional romp for mystery writer Anthony Horowitz and his frequent collaborator, ex-DI Daniel Hawthorne.

Everyone in Riverview Close hates Giles Kenworthy, an entitled hedge fund manager who bought Riverview Lodge from chess grandmaster Adam Strauss when the failure of Adam’s chess-themed TV show forced him and his wife, Teri, to downsize to The Stables at the opposite end of the development. So the surprise when Kenworthy’s wife, retired air hostess Lynda, returns home from an evening out with her French teacher, Jean-François, to find her husband’s dead body is mainly restricted to the manner of his death: He’s been shot through the throat with an arrow. Suspects include—and seem to be limited to—Richmond GP Dr. Tom Beresford and his wife, jewelry designer Gemma; widowed ex-nuns May Winslow and Phyllis Moore; and retired barrister Andrew Pennington, whose name is one of many nods to Agatha Christie. Detective Superintendent Tariq Khan, feeling outside his element, calls in Hawthorne and his old friend John Dudley as consultants, and eventually the case is marked as solved. Five years later, Horowitz, needing to plot and write a new novel on short notice, asks Hawthorne if he can supply enough information about the case to serve as its basis, launching another prickly collaboration in which Hawthorne conceals as much as he reveals. To say more, as usual with this ultrabrainy series, would spoil the string of surprises the real-life author has planted like so many explosive devices.

Gloriously artificial, improbable, and ingenious. Fans of both versions of Horowitz will rejoice.

Pub Date: April 16, 2024

ISBN: 9780063305649

Page Count: 384

Publisher: Harper/HarperCollins

Review Posted Online: Jan. 20, 2024

Kirkus Reviews Issue: Feb. 15, 2024

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DESERT STAR

Not the best of Connelly’s procedurals, but nobody else does them better than his second-best.

A snap of the yo-yo string yanks Harry Bosch out of retirement yet again.

Los Angeles Councilman Jake Pearlman has resurrected the LAPD’s Open-Unsolved Unit in order to reopen the case of his kid sister, Sarah, whose 1994 murder was instantly eclipsed in the press by the O.J. Simpson case when it broke a day later. Since not even a councilor can reconstitute a police unit for a single favored case, Det. Renée Ballard and her mostly volunteer (read: unpaid) crew are expected to reopen some other cold cases as well, giving Bosch a fresh opportunity to gather evidence against Finbar McShane, the crooked manager he’s convinced executed industrial contractor Stephen Gallagher, his wife, and their two children in 2013 and buried them in a single desert grave. The case has haunted Bosch more than any other he failed to close, and he’s fine to work the Pearlman homicide if it’ll give him another crack at McShane. As it turns out, the Pearlman case is considerably more interesting—partly because the break that leads the unit to a surprising new suspect turns out to be both fraught and misleading, partly because identifying the killer is only the beginning of Bosch’s problems. The windup of the Gallagher murders, a testament to sweating every detail and following every lead wherever it goes, is more heartfelt but less wily and dramatic. Fans of the aging detective who fear that he might be mellowing will be happy to hear that “putting him on a team did not make him a team player.”

Not the best of Connelly’s procedurals, but nobody else does them better than his second-best.

Pub Date: Nov. 8, 2022

ISBN: 978-0-316-48565-4

Page Count: 400

Publisher: Little, Brown

Review Posted Online: Sept. 27, 2022

Kirkus Reviews Issue: Oct. 15, 2022

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