An amusing, undemanding tale likely to warm readers’ hearts.
The grand opening of a Virginia bed-and-breakfast is the setting for Ball’s (High in Trial, 2013, etc.) latest novel full of comedy and sentiment.
This spinoff from the author’s Ladybug Farm series turns from best friends Bridget, Cici and Lindsay to their Shenandoah Valley neighbors, Paul and Derrick. The couple leaves the social whirl of Washington, D.C., behind and buys a bed-and-breakfast called the Hummingbird House. After much renovation, the two are just about ready to open—but are “now beginning to realize they had not entirely thought this through.” They have enough towels, but how will they get publicity and attract guests? Meanwhile, 97-year-old Annabelle wants her granddaughter Megan to take her on one last trip; she’s not sure of the destination, but she says that she’ll know it when she sees it. At the same time, Joshua Whitman, a young man with a past, is also on the road, trying to find someone. As Paul and Derrick deal with unexpected problems—and unexpected help, including a chiffon-draped spiritualist—they find that the Hummingbird House has the power to bring the right people together. Ball, who has written scores of novels in several genres, knows how to construct a plot, and the pieces of this one fit together handily. Many readers will find it satisfying and uplifting, although others may find its plot too pat. Similarly, many but not all readers will enjoy the book’s heavy emphasis on eating, drinking, interior decorating and gardening, as these well-described sections tend to put more emphasis on lifestyle than on relationships. The book shies away from being too contentious. Confederate soldiers, for example, are called “romantic….Perfectly respectable young men, land owners, classically educated,” but Southern slave-owning goes unmentioned. Also, Paul and Derrick never kiss, although they’re clearly a couple, and the word “gay” never appears. There are touches of real magic, however, including a particularly affecting, gnomish character who helps Josh.
An amusing, undemanding tale likely to warm readers’ hearts.Pub Date: Oct. 9, 2013
ISBN: 978-0985774837
Page Count: 316
Publisher: Blue Merle Publishing
Review Posted Online: Dec. 6, 2013
Review Program: Kirkus Indie
BOOK REVIEW
This large, stately, and intensely powerful new novel by the author of Terms of Endearment and The Last Picture Show is constructed around a cattle drive—an epic journey from dry, hard-drinking south Texas, where a band of retired Texas Rangers has been living idly, to the last outpost and the last days of the old, unsettled West in rough Montana. The time is the 1880s. The characters are larger than life and shimmer: Captain Woodrow Call, who leads the drive, is the American type of an unrelentingly righteous man whose values are puritanical and pioneering and whose orders, which his men inevitably follow, lead, toward the end, to their deaths; talkative Gus McCrae, Call's best friend, learned, lenient, almost magically skilled in a crisis, who is one of those who dies; Newt, the unacknowledged 17-year-old son of Captain Call's one period of self-indulgence and the inheritor of what will become a new and kinder West; and whores, drivers, misplaced sheriffs and scattered settlers, all of whom are drawn sharply, engagingly, movingly. As the rag-tag band drives the cattle 3,000 miles northward, only Call fails to learn that his quest to conquer more new territories in the West is futile—it's a quest that perishes as men are killed by natural menaces that soon will be tamed and by half-starved renegades who soon will die at the hands of those less heroic than themselves. McMurtry shows that it is a quest misplaced in history, in a landscape that is bare of buffalo but still mythic; and it is only one of McMurtry's major accomplishments that he does it without forfeiting a grain of the characters' sympathetic power or of the book's considerable suspense. This is a masterly novel. It will appeal to all lovers of fiction of the first order.
Pub Date: June 1, 1985
ISBN: 068487122X
Page Count: 872
Publisher: Simon & Schuster
Review Posted Online: Sept. 30, 2011
Kirkus Reviews Issue: May 15, 1985
IN THE NEWS
SEEN & HEARD
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her...
Another middle-aged mom in a muddle.
After years of false starts and big hopes, Elizabeth’s ruggedly handsome husband Jack, a former football star, just landed a spot as a sportscaster on national news. He still loves her, even though much younger women are giving him come-hither looks. Heck, he doesn’t want to betray the love of his life after she helped him kick drugs and stuck by him even when he was a struggling has-been. And won’t it seem hypocritical if he fools around with his sexy assistant while he does in-depth reporting on a rape case involving a famous basketball center? Well, he fools around anyway. Elizabeth, nicknamed Birdie, knows nothing of this, but she withdraws from Jack when her hard-drinking, salt-of-the-earth father has a stroke and dies. Now no one will call her “sugar beet” ever again. Time to return home to Tennessee and contend with Anita, the sort-of-evil stepmother so trashy she wears pink puffy slippers all day long. Naturally, it turns out that Anita actually has a heart of gold and knows a few things about Birdie’s dead mother that were hushed up for years. Mom was an artist, just like Birdie, and an old scandal comes to light as Anita unrolls a vibrant canvas that portrays her secret lover. Perhaps, Birdie muses, her mother died of heartbreak, never having followed her true love or developed her talent. Has she, too, compromised everything she holds dear? Hoping to find out, Birdie joins a support group that promises to reconnect confused women with their passion. She and Jack separate, prompting a how-dare-you fit from their grown daughters. Will Birdie fly her empty nest? Will she go back to college for a degree in art? Will her brooding watercolors ever sell?
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her previous tales (Summer Island, 2001, etc.).Pub Date: July 1, 2002
ISBN: 0-345-45071-X
Page Count: 352
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2002
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