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HOLY GHOST GIRL

A MEMOIR

A trustworthy narrator, Johnson is consistently funny, poetic and remarkably devoid of bitterness.

Growing up on the revivalist sawdust trail in the 1960s.

Johnson was three when her mother, after a lapse in faith that left her divorced and pregnant, joined tent preacher Brother David Terrell’s evangelical team as the organist. Much of this debut memoir is about the author’s discovering and dealing with her mother’s status—and shame—as Terrell’s mistress. This chronicle of a world filled with love and sin, boredom and adventure and faith and questioning also serves as a portrait of a complex and charismatic man. Terrell was the last of the great Holy Roller preacher-healers, and his eventual fall from grace coincided with Johnson’s own emancipation from the only reality she knew. Throughout her childhood, the author observed healings, exorcisms, people babbling in tongues and threats from the KKK. “The events I witnessed and the stories about these events have intertwined to form a single thread of memory,” writes the author. “Sifted and shaped over time by the adults around me, my recollections have distilled into a mythology of faith, hard to believe, harder still to deny.” By telling her story from a child’s perspective, Johnson captures both the confusion and clarity that come with preadolescent recollection. She avoids intellectualizing and judgment through a disciplined honesty about her own struggle with faith. After living with a series of sometimes-affectionate, sometimes-abusive caretakers while her mother traveled with Terrell, Johnson saw the once-poor ministry grow into a lucrative operation. Terrell fathered three daughters with the author’s mother, adding to his network of illegitimate children who traveled blindfolded to visit him on his secret properties before he was taken to prison for tax evasion.

A trustworthy narrator, Johnson is consistently funny, poetic and remarkably devoid of bitterness.

Pub Date: Oct. 13, 2011

ISBN: 978-1-592-40630-2

Page Count: 288

Publisher: Gotham Books

Review Posted Online: Oct. 1, 2011

Kirkus Reviews Issue: Oct. 15, 2011

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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I AM OZZY

An autobiography as toxic and addictive as any drug its author has ever ingested.

The legendary booze-addled metal rocker turned reality-TV star comes clean in his tell-all autobiography.

Although brought up in the bleak British factory town of Aston, John “Ozzy” Osbourne’s tragicomic rags-to-riches tale is somehow quintessentially American. It’s an epic dream/nightmare that takes him from Winson Green prison in 1966 to a presidential dinner with George W. Bush in 2004. Tracing his adult life from petty thief and slaughterhouse worker to rock star, Osbourne’s first-person slang-and-expletive-driven style comes off like he’s casually relating his story while knocking back pints at the pub. “What you read here,” he writes, “is what dribbled out of the jelly I call my brain when I asked it for my life story.” During the late 1960s his transformation from inept shoplifter to notorious Black Sabbath frontman was unlikely enough. In fact, the band got its first paying gigs by waiting outside concert venues hoping the regularly scheduled act wouldn’t show. After a few years, Osbourne and his bandmates were touring America and becoming millionaires from their riff-heavy doom music. As expected, with success came personal excess and inevitable alienation from the other members of the group. But as a solo performer, Osbourne’s predilection for guns, drink, drugs, near-death experiences, cruelty to animals and relieving himself in public soon became the stuff of legend. His most infamous exploits—biting the head off a bat and accidentally urinating on the Alamo—are addressed, but they seem tame compared to other dark moments of his checkered past: nearly killing his wife Sharon during an alcohol-induced blackout, waking up after a bender in the middle of a busy highway, burning down his backyard, etc. Osbourne is confessional to a fault, jeopardizing his demonic-rocker reputation with glib remarks about his love for Paul McCartney and Robin Williams. The most distinguishing feature of the book is the staggering chapter-by-chapter accumulation of drunken mishaps, bodily dysfunctions and drug-induced mayhem over a 40-plus-year career—a résumé of anti-social atrocities comparable to any of rock ’n’ roll’s most reckless outlaws.

An autobiography as toxic and addictive as any drug its author has ever ingested.

Pub Date: Jan. 25, 2010

ISBN: 978-0-446-56989-7

Page Count: 320

Publisher: Grand Central Publishing

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 1, 2009

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