A heartfelt, life-affirming novel tailor-made for readers who love stories of female friendship.
The spirit of a woman killed in a car crash guides her friends and family toward healing in Norman-Carbone’s novel.
When Lynn, a woman in her 30s, and her husband, Scott, set out for a weekend getaway to work on their marriage, a car crash on an icy road ends her life. Lynn’s spirit is stuck in limbo, watching her friends and family struggle in her absence. Scott builds a shrine to her in his room, and her young daughters, Emma and Olivia, begin to forget things about her. Her friends—Jules, Helene, Annie, and Riley—once an inseparable group since high school, drift apart due to secrets and resentments. Able to influence her loved ones as a spirit, Lynn encourages her friends to meet up at her family’s beach cottage on the one-year anniversary of her death to repair their bond and enable them to help Scott and the girls heal. As her friends argue and reminisce, Lynn learns things she never knew and starts to come to terms with her own life and death as her friends find closure. The story is more concerned with the relationships between Lynn and her loved ones than creative depictions of the afterlife (Lynn exists mostly in a shadowy replica of her home on Earth and can communicate with her loved ones more easily than she could in life). The emotional payoff of the story far outweighs the narrative conveniences used to make it happen. The linchpin of the novel is the women’s friend group—including the secrets that pulled them apart and the loyalty to Lynn that brings them back together (“This is what it feels like to be us, girls with a shared past. No matter the circumstances, we always make each other feel warm and cozy—just like home”). The dynamics among the women, both as a group and in separate pairs, are very well developed. The text captures the ways women feel the need to model perfection for each other and illustrates how covering up weaknesses allows them to fester. There is catharsis in the way each of the women, particularly Lynn, allows herself to be imperfect and in the healing that comes from that vulnerability.
A heartfelt, life-affirming novel tailor-made for readers who love stories of female friendship.Pub Date: June 6, 2023
ISBN: 9781958231067
Page Count: 324
Publisher: Red Adept Publishing
Review Posted Online: April 27, 2023
Kirkus Reviews Issue: June 15, 2023
Review Program: Kirkus Indie
BOOK REVIEW
An evocative and moving tribute to the death-defying, heart-opening, infinitely redemptive power of storytelling.
A chance meeting in a museum unlocks a long-closed door in a family’s past.
Of a piece with her last three novels—Commonwealth (2016), The Dutch House (2019), and Tom Lake (2023)—Patchett’s latest explores the evolution of families over time, romantic secrets, and step-relationships, again giving these topics the wry and tender treatment that is distinctively hers. As it begins, Daphne Fuller’s attentive husband, Jonathan, notices that a man has been following them through the Metropolitan Museum of Art. At first they chalk it up to the fact that “old guys love [Daphne],” as she told Jonathan decades ago, a notion he has held onto "like a souvenir postcard from another era." But it turns out that, though Daphne doesn’t recognize him, Eddie Triplett is her former stepfather. Like the author herself, as recalled in her 2020 essay “Three Fathers,” Daphne has had three dads. Her biological father, a deep-sea fisherman named Buddy Zabriskie, left the family early; her current stepfather, Lucas Ekker, lives with her mother in retirement in Massachusetts. Ekker is an unprepossessing sort Abby met working as the publicist for his self-help books, Positivity!, Positively Positive!, The Positivity Workbook!, Positive Every Day!, ad infinitum. The man in the museum, Eddie Triplett, was also someone her mother met through her job in publishing, and once Daphne realizes who he is, she remembers that “[their] hearts were forever stitched together.” This is because Daphne and Eddie were in a serious car accident when she was 9 years old, after which her mother immediately divorced him and evicted him from their lives. The details of that accident—among them lies the reason the novel is named after a horse called Whistler—are gradually wheedled out of Daphne by her younger sister, Leda, a clinical psychologist in New York and a reliable source of insight on the narrative’s key issues. “‘You make it sound like I’ve been keeping all this from you, but I’m not,’ [Daphne] said. ‘Who goes through life thinking about what happened when they were nine?’ ‘It’s all people think about,’ Leda said.”
An evocative and moving tribute to the death-defying, heart-opening, infinitely redemptive power of storytelling.Pub Date: June 2, 2026
ISBN: 9780063511637
Page Count: 304
Publisher: Harper/HarperCollins
Review Posted Online: April 6, 2026
Kirkus Reviews Issue: May 1, 2026
PERSPECTIVES
PERSPECTIVES
SEEN & HEARD
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
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