An impassioned and revelatory biography occasionally hampered by excessive detail.
Remembering a neglected woman of early Hollywood.
Journalist Rifkind begins her impressive biography of screenwriter Salka Viertel (1889-1978) with a question: How can so “large and estimable” a woman “been more or less forgotten in America”? The author hopes Salka (as she is referred to throughout) will provide a role model for a new generation of readers, especially women, currently experiencing the same kinds of geopolitical issues of human migration and anti-Semitism that Salka also suffered. Her early years in Austro-Hungary were privileged. She acted on stages throughout Europe, and her circle of friends included Franz Kafka and Max Brod. In 1928, with National Socialism on the rise, Salka and her filmmaker husband, Berthold, along with thousands of other refugees, fled to greater Los Angeles. They both worked with F.W. Murnau on film projects and befriended other immigrants like Bertolt Brecht, Arnold Schoenberg, and Ernst Lubitsch. Rifkind chronicles in meticulous detail Salka’s substantial career in a hostile Hollywood studio system that regularly ignored the contributions of women. She wrote screenplays for a number of films, most notably Queen Christina (1933), working closely with producer Irving Thalberg and the film’s star, Greta Garbo, who took Salka under her wing. Their relationship would become the “longest and most important…either of them would ever have in Hollywood.” Rifkind calls Salka a “connector of people.” Her legendary Sunday afternoon gatherings at her Santa Monica home on Mabery Street became an intellectual “place of shelter” for immigrants, including Sergei Eisenstein, Aldous Huxley, and Thomas Mann and Christopher Isherwood, two of Salka’s best friends. She helped refugees find jobs and places to stay, and she provided financial support. Her activities with political organizations supporting refugees drew the attention of the FBI, which tapped her phones and read her mail. In 1953, Salka moved to Switzerland, where she wrote her memoir, The Kindness of Strangers.
An impassioned and revelatory biography occasionally hampered by excessive detail.Pub Date: Jan. 28, 2020
ISBN: 978-1-59051-721-5
Page Count: 560
Publisher: Other Press
Review Posted Online: Oct. 6, 2019
Kirkus Reviews Issue: Nov. 1, 2019
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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