BEING FRANK

Frank believes that honesty is the best policy, but is that always the case?

Elementary schooler Frank never lies to his schoolmates. He tells Dotty her freckles look like the Big Dipper, and he tells Carol her singing is “kind of shrieky.” Neither of them is pleased. Frank is also truthful with adults. He tells his teacher her breath smells; when sent to the principal, Frank tells him his toupee looks like a weasel. Even his mother doesn't seem to appreciate his candor. No one in Frank's life (including Frank) is happy, so he seeks help from his grandpa. Grandpa Ernest tells Mrs. Peacock he likes the purple flower in her hat best when she asks if he likes her gaudy chapeau. Frank thinks Grandpa has lied, but no: Grandpa only focused on the good things. Frank applies Grandpa's advice to good effect and serves up the honesty with "more sugar... / and less pepper." Earnhardt's debut is a humorous object lesson in honesty, though the central punniness will be lost on the audience without some explanation. Italian illustrator Castellani's blocky and bright Saturday-morning-cartoon–style illustrations amp the wackiness and make this frankly fun. On-the-mark help for the parents of inadvertently tactless tots. (Picture book. 4-8) 

 

Pub Date: Oct. 1, 2012

ISBN: 978-1-9362611-9-2

Page Count: 32

Publisher: Flashlight Press

Review Posted Online: Aug. 29, 2012

Kirkus Reviews Issue: Sept. 15, 2012

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A lesson that never grows old, enacted with verve by two favorite friends

WAITING IS NOT EASY!

From the Elephant & Piggie series

Gerald the elephant learns a truth familiar to every preschooler—heck, every human: “Waiting is not easy!”

When Piggie cartwheels up to Gerald announcing that she has a surprise for him, Gerald is less than pleased to learn that the “surprise is a surprise.” Gerald pumps Piggie for information (it’s big, it’s pretty, and they can share it), but Piggie holds fast on this basic principle: Gerald will have to wait. Gerald lets out an almighty “GROAN!” Variations on this basic exchange occur throughout the day; Gerald pleads, Piggie insists they must wait; Gerald groans. As the day turns to twilight (signaled by the backgrounds that darken from mauve to gray to charcoal), Gerald gets grumpy. “WE HAVE WASTED THE WHOLE DAY!…And for WHAT!?” Piggie then gestures up to the Milky Way, which an awed Gerald acknowledges “was worth the wait.” Willems relies even more than usual on the slightest of changes in posture, layout and typography, as two waiting figures can’t help but be pretty static. At one point, Piggie assumes the lotus position, infuriating Gerald. Most amusingly, Gerald’s elephantine groans assume weighty physicality in spread-filling speech bubbles that knock Piggie to the ground. And the spectacular, photo-collaged images of the Milky Way that dwarf the two friends makes it clear that it was indeed worth the wait.

A lesson that never grows old, enacted with verve by two favorite friends . (Early reader. 6-8)

Pub Date: Nov. 4, 2014

ISBN: 978-1-4231-9957-1

Page Count: 64

Publisher: Hyperion

Review Posted Online: Nov. 5, 2014

Kirkus Reviews Issue: Nov. 15, 2014

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Eggs-quisitely excellent.

THE GOOD EGG

Being a good egg can be eggs-cruciatingly stressful.

This earnest counterpart to John and Oswald’s hilarious The Bad Seed (2017) opens with a direct address from an oval-shaped saint to readers: “Oh, hello! I was just rescuing this cat. Know why? Because I’m a good egg.” Just how good is this egg? “Verrrrrry good.” Without hesitation, the bespectacled egg offers to help others with carrying groceries, painting houses, and changing tires. The good egg even tries to “keep the peace” among the other 11 eggs in its dozen, who forgo their bedtime, eat sugary cereal, and break stuff. Rotten eggs indeed! When the pressure of being good proves too much, the beleaguered egg embarks on a journey of self-care. John embeds a seed of a great idea—finding a balance between personal and social responsibility—within a rip-roaring, touching narrative. Despite his sober narrator, the author’s sense of humor remains intact thanks to some clever (and punny) wordplay. Likewise, Oswald’s digitally composed, bright artwork pops with rib-tickling close-ups and character-building moments. Both text and art complement each other perfectly. Too long alone, the protagonist heads back to its rowdy family, imparting a slice of wisdom to readers: “I’ll be good to my fellow eggs while also being good to myself.” It’s an empowering moment made all the better when this good egg returns to find a rapturous welcome from the others.

Eggs-quisitely excellent. (Picture book. 4-8)

Pub Date: Feb. 12, 2019

ISBN: 978-0-06-286600-4

Page Count: 40

Publisher: Harper/HarperCollins

Review Posted Online: Sept. 30, 2018

Kirkus Reviews Issue: Oct. 15, 2018

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