A remarkable woman uses her considerable intellect—and more than a little luck—to rise from humble origins to become the only female Pope, in this breakneck adventure from newcomer Cross. A longstanding tradition has insisted that there was a female Pope in the ninth century. The author's version of that story imagines Joan as the daughter of a village canon. Singled out for tutoring by a wise Greek, she learns quickly, but her father sees her knowledge as an abomination and blocks further progress. She runs away to join her brother at school, but is reviled by fellow students and her schoolmaster alike, even though she has the support of Gerold, the local count. Gerold falls in love with her, so his wife plots to marry her off while he is away; a Viking raid intervenes, however, leaving Joan the sole survivor. Determined never again to be betrayed by being female, she dresses as a man and enters a Benedictine monastery, where her aptitude for learning and healing propels her rapidly into the priesthood. Years pass; Joan makes a remarkable recovery from the plague and decides to go to Rome. There, she saves the life of Pope Sergius, and in her new role as papal physician again meets Gerold, rekindling the spark between them. When Sergius dies, and intrigue leads to the poisoning of his successor, Joan is elected Pope as the people's choice. Together, she and Gerold work to help the poor, but when a flood gives them the opportunity to be truly alone, passion reasserts itself. Joan learns that she is pregnant just as plotters act against her, leaving a bloody finale to be played out on the streets of Rome. No lack of action here, but also not much food for thought. Still, what seems a too facile rendering of a complex story might certainly appeal as light summer reading.
Pub Date: Aug. 1, 1996
ISBN: 0-517-59365-3
Page Count: 432
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 15, 1996
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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