A compelling relationship tale that explores two lives over a half-century.
A lifelong love story—with obstacles—moves from 1970s Texas to present-day New York City.
In this debut novel, two Texas farm kids with big dreams fall in love as teens, split up, reconnect as adults, break up again, and finally come together at a crucial moment. Aspiring artist Leni O’Hare meets Cal McGrath when she impulsively runs away from home after her mother tries to sell her beloved horse, Foggy. Cal has a contentious relationship with his father, a self-made businessman who wants his son to take over the ranching and oil drilling instead of going to college to study physics. The teen knows Leni as the younger sister of his football teammate Foy O’Hare. But Cal quickly connects with Leni, and they swiftly fall for each other. When Foy dies from heat exhaustion at football practice, Cal and Leni are both devastated. Their relationship suffers ups and downs as they deal with their grief, and they are soon making plans to leave Texas together to pursue their passions for physics and art. When Leni gets pregnant, she keeps it a secret from Cal and flees her home with the help of his older brother, Hank, before giving the baby up for adoption. A decade later, Leni and Cal are both in New York, working in art and finance, when their paths cross again. Their romance quickly reignites. A disagreement drives them apart again, and they spend the next 30 years pursuing their own paths until a sudden reconciliation occurs. The story is a compelling one, with Leni and Cal’s relationship at its core. The two come across as fully realized characters, not just star-crossed lovers. Brown brings both the Texas and New York settings to life, and complex secondary characters, especially Foy and Hank, add to the novel’s richness. There are minor stylistic problems (particularly the odd phonetic rendering of several French accents) but they do not detract much from the character-driven narrative. The book explores questions of independence, responsibility, family, and authenticity while telling a page-turning story that will keep readers invested.
A compelling relationship tale that explores two lives over a half-century.Pub Date: April 4, 2023
ISBN: 9781647422981
Page Count: 408
Publisher: She Writes Press
Review Posted Online: Dec. 12, 2022
Kirkus Reviews Issue: March 1, 2023
Review Program: Kirkus Indie
Fans of Stockett’s bestselling debut will love this engaging follow-up.
Stockett heads to Mississippi for another historical novel about feisty women.
This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.
Fans of Stockett’s bestselling debut will love this engaging follow-up.Pub Date: May 5, 2026
ISBN: 9781954118812
Page Count: 656
Publisher: Spiegel & Grau
Review Posted Online: Feb. 2, 2026
Kirkus Reviews Issue: March 1, 2026
BOOK REVIEW
Mostly charming, sometimes twee, with some really lovely things to say about poetry.
And now for some lessons in poetry and typesetting.
After Lessons in Chemistry (2022), a debut that became one of the most popular books of recent years, Garmus applies her unique comic sensibility to the story of Batter Gray, a man named after a family dog of mythic talents. A poetry maven who was reading Auden as a fourth grader, he was raised by a type-designer mother and historian father who dearly hoped he would choose some more viable profession than poetry. But via an amazing stroke of luck, he lands a job after college at Peck & Peck, an illustrious literary journal located in a beautiful building in New York City. He’s at the very bottom of the complex and dysfunctional totem pole, making copies in the basement, struggling not to run afoul of the cantankerous editor-in-chief, Salton Peck, or his smarmy assistant, Dexter York, both of whom have taken an instant dislike to our hero (and can never get his name right. Few people can). And to be honest, Batter is not without his flaws. The novel bogs down a bit in the middle, with Salton constantly excoriating his staff in ALL CAPS and much ado over the possibility that submissions have been taken outside the building, which is forbidden. Along the way, many, many famous poets are name-checked, as are many typefaces, since Batter has been raised to instantly identify a font in the wild. The best example of this occurs during his brief sojourn in jail: “The thing I kind of admired about Motherfucker II, besides his manners, was this huge tattoo he had on his neck that read I will fuck you up in ITC Bolt. Call me my mother’s son, but whoever inked it nailed the kerning.” The narrative picks up steam toward the end, as bad guys become good guys, mysteries are solved, and Batter throws one hell of a party.
Mostly charming, sometimes twee, with some really lovely things to say about poetry.Pub Date: Oct. 13, 2026
ISBN: 9781668251065
Page Count: 432
Publisher: Scribner
Review Posted Online: July 6, 2026
Kirkus Reviews Issue: Aug. 1, 2026
BOOK REVIEW
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