With unwavering exuberance, young Elizabeth takes readers month-by-month through her mom’s pregnancy, tracking her prospective sibling’s size from September’s “only as big as my bottom front tooth,” through February’s “as big as my stuffed rabbit,” and on to May’s delivery. Unusually for treatments of this topic, Elizabeth is very specific—about not only the baby’s physical development and Mom’s anatomy, but also about just how Dad’s sperm came to meet Mom’s egg. Thompson follows suit in cartoon-style watercolors, placing Mom and Dad under covers but interspersing views of the smiling family with lots of labeled inside views and enlargements. Confusingly, Elizabeth refers to the fetus as “he” throughout, even while relating how her parents are opting to wait to find out the baby’s sex—but for children seeking hard facts on the whole business, this makes a good alternative to the likes of Kes Gray’s Baby On Board! (2004), illustrated by Sarah Nayler, or Laurel Molk’s lyrical but oblique When You Were Just a Heartbeat (2004). (Picture book/nonfiction. 6-8)
Pub Date: April 1, 2005
ISBN: 0-8075-5344-1
Page Count: 32
Publisher: Whitman
Review Posted Online: May 20, 2010
Kirkus Reviews Issue: March 1, 2005
Categories: CHILDREN'S SOCIAL THEMES | CHILDREN'S FAMILY
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BOOK REVIEW
BOOK REVIEW
Each time the witch loses something in the windy weather, she and her cat are introduced to a new friend who loves flying on her broom. The fluid rhyming and smooth rhythm work together with one repetitive plot element focusing young attention spans until the plot quickens. (“Is there room on the broom for a blank such as me?”) When the witch’s broom breaks, she is thrown in to danger and the plot flies to the finish. Her friends—cat, dog, frog, and bird—are not likely to scare the dragon who plans on eating the witch, but together they form a formidable, gooey, scary-sounding monster. The use of full-page or even page-and-a-half spreads for many of the illustrations will ensure its successful use in story times as well as individual readings. The wart-nosed witch and her passengers make magic that is sure to please. Effective use of brilliant colors set against well-conceived backgrounds detail the story without need for text—but with it, the story—and the broom—take off. (Picture book. 6-8)
Pub Date: Sept. 1, 2001
ISBN: 0-8037-2557-0
Page Count: 32
Publisher: Dial Books
Review Posted Online: May 20, 2010
Kirkus Reviews Issue: Aug. 1, 2001
Categories: CHILDREN'S SOCIAL THEMES
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A monohued tally of positive character traits.
Purple is a “magic color,” affirm the authors (both actors, though Hart’s name recognition is nowhere near the level of Bell’s), and “purple people” are the sort who ask questions, laugh wholeheartedly, work hard, freely voice feelings and opinions, help those who might “lose” their own voices in the face of unkindness, and, in sum, can “JUST BE (the real) YOU.” Unlike the obsessive protagonist of Victoria Kann’s Pinkalicious franchise, being a purple person has “nothing to do with what you look like”—a point that Wiseman underscores with scenes of exuberantly posed cartoon figures (including versions of the authors) in casual North American attire but sporting a wide range of ages, skin hues, and body types. A crowded playground at the close (no social distancing here) displays all this wholesome behavior in action. Plenty of purple highlights, plus a plethora of broad smiles and wide-open mouths, crank up the visual energy—and if the earnest overall tone doesn’t snag the attention of young audiences, a grossly literal view of the young narrator and a grandparent “snot-out-our-nose laughing” should do the trick. (This book was reviewed digitally with 10.4-by-20.6-inch double-page spreads viewed at 22.2% of actual size.)
The buoyant uplift seems a bit pre-packaged but spot-on nonetheless. (Picture book. 6-8)Pub Date: June 2, 2020
ISBN: 978-0-593-12196-2
Page Count: 40
Publisher: Random House
Review Posted Online: June 3, 2020
Kirkus Reviews Issue: June 15, 2020
Categories: CHILDREN'S SOCIAL THEMES
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SEEN & HEARD
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