Doris Lessing has been established in England, rather than here, as one of the most interesting writers since the '40's and this remarkable book, unquestionably her major work to date, reflects a savage intelligence which does not exclude passion. Technically the novel is intriguing, subdivided in alternating, cyclical sections, and the prefatory Free Women introduce Anna Wulf and her friend Molly, emancipated and enlightened, living "emotionally hand to mouth". Most of the novel however is devoted to the notebooks kept by Anna: The Black Notebook which covers a period during the war in South Africa and a first nostalgic love; The Red Notebook spans the 1950's, her entry into the Party, her disaffection and a five year affair; The Yellow Notebook is a novel written within this novel in which she projects and paraphrases her own experience; and The Blue Notebook, the most contemporary, is filled with her analysis, a short-lived marriage, her daughter, and finally a very devastating affair which leads up to the final reprise in the notebook of the title. Perhaps a claim of one of the characters may be used to define the book, that the real revolution of our time is not Chinese- not Russian- but that of "women against men", women, like Anna, who achieve freedom only to submit to chaos, and certainly the notebooks are a device to mirror her anxiety, discomfort and fragmentation as she drifts through experiences with careful men, non-committed men, castrated men. With all its passionate probing and deliberate truthtelling, it is sexually, biologically clinical to a point which may offend some readers. Others will find it a painful, revelatory, fascinating book, and while Doris Lessing is not as glittering a writer as Simone de Beauvoir, some of her concerns may occasion the comparison and suggest a market.
Pub Date: N/A
ISBN: 0061582484
Page Count: -
Publisher: Simon & Schuster
Review Posted Online: Nov. 18, 2013
Kirkus Reviews Issue: June 15, 1962
BOOK REVIEW
BOOK REVIEW
Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles...
Sisters in and out of love.
Meghann Dontess is a high-powered matrimonial lawyer in Seattle who prefers sex with strangers to emotional intimacy: a strategy bound to backfire sooner or later, warns her tough-talking shrink. It’s advice Meghann decides to ignore, along with the memories of her difficult childhood, neglectful mother, and younger sister. Though she managed to reunite Claire with Sam Cavenaugh (her father but not Meghann’s) when her mother abandoned both girls long ago, Meghann still feels guilty that her sister’s life doesn’t measure up, at least on her terms. Never married, Claire ekes out a living running a country campground with her dad and is raising her six-year-old daughter on her own. When she falls in love for the first time with an up-and-coming country musician, Meghann is appalled: Bobby Austin is a three-time loser at marriage—how on earth can Claire be so blind? Bobby’s blunt explanation doesn’t exactly satisfy the concerned big sister, who busies herself planning Claire’s dream wedding anyway. And, to relieve the stress, she beds various guys she picks up in bars, including Dr. Joe Wyatt, a neurosurgeon turned homeless drifter after the demise of his beloved wife Diane (whom he euthanized). When Claire’s awful headache turns out to be a kind of brain tumor known among neurologists as a “terminator,” Joe rallies. Turns out that Claire had befriended his wife on her deathbed, and now in turn he must try to save her. Is it too late? Will Meghann find true love at last?
Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles (Distant Shores, 2002, etc.). Kudos for skipping the snifflefest this time around.Pub Date: May 1, 2003
ISBN: 0-345-45073-6
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: April 1, 2003
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.
Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind.
The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility.
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.Pub Date: July 1, 1993
ISBN: 0-06-250217-4
Page Count: 192
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1993
SEEN & HEARD
SEEN & HEARD
BOOK TO SCREEN
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