by Doris Lessing ‧ RELEASE DATE: Jan. 5, 1980
After a digression into sexual politics (The Marriages Between Zones Three, Four, and Five), Lessing's science-fiction cycle returns to the broad sociological preoccupations of Shikasta (1979)—in which we learned of the Canopean Empire's benevolent, triumphant, yet doomed experiments with primates on Colonised Planet 5, Shikasta. Now the focus is on the very un-benevolent experiments carried out by the Canopeans' rival Empire-builders—the Sirians, who control Shikasta's southern hemisphere. And Lessing's Sirian narrator is Ambien II, a crisply efficient bureaucrat/scientist who will gradually come to realize that the Sirians' obsessive, envious fears of Canopus are unfounded, that the Canopean guiding-principle of "Necessity" is valid, that the Canopeans are "altogether finer and higher." But before this awakening, Ambien II masterminds some dreadful experiments: the kidnapping of thousands of "Lombis" from Planet 24 for training as slaves (kept in a social vacuum to prevent upward mobility, this easygoing race becomes nervous and paranoid); pathetic stabs at simulating the miraculous Canopean rapid-evolution experiments; doomed attempts to alleviate the existential malaise of Sirians ("enfeebled by soft living") via Shikastan work camps. And this experimental era ends only when the entire planet falls under the disastrous influence of planet Shammat, evil incarnate; Sirius gives up on Shikasta completely. Canopus never loses interest, however, and millenia later, altruistic Klorathy of Canopus guides Ambien II back to Shikasta, now dotted with assorted cross-bred civilizations: Utopian Adalantaland, which vanishes beneath the sea when Shikasta suddenly tilts on its axis; the decadent city of Koshi, where Ambien II engages in a good-vs.-evil duel and begins doubting all her Sirian principles; the theocratic slave-state of Grakconkranplatl, where she's taken prisoner; the lovely democracy of Lelanos, which (like all good things, apparently) is doomed to fall away into despair. (Ambien II herself temporarily descends into "Shammat-nature" and leads the spoiling of Lelanos.) And finally, after joining Klorathy in a scheme to avert total Shammat devastation on Shikasta's moon, Ambien II starts denouncing her own Sirian government (a dictatorship in disguise) and winds up "under planet arrest". . . As narrative, Ambien's report is largely unsatisfying—episodic, shapeless, choppy. As a crammed forum of ideas, it's sometimes provocative, more often murky, with distracting, conflicting signals along the way (e.g., Canopus seems to be part Marxism, part God, part Britain). Still, the notion of intellectual awakening—a delicate transformation sometimes illuminated here with dazzling sharpness—is strong enough to pull the whole, challenging, disorganized piece together. Demanding and uningratiating, then, but—like previous Canopus volumes—worth the effort of readers attuned to the very biggest questions.
Pub Date: Jan. 5, 1980
ISBN: 0394751957
Page Count: 308
Publisher: Knopf
Review Posted Online: Sept. 28, 2011
Kirkus Reviews Issue: Jan. 1, 1980
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by Brandon Sanderson ‧ RELEASE DATE: May 1, 2005
A cut above the same-old, but hardly a classic.
Debut author Sanderson serves up an epic fantasy novel that is (startlingly) not Volume One of a Neverending Sequence.
Ten years ago, the magical city of Elantris fell under a curse, and the land of Arelon it once ruled has hit hard times. The mysterious transformation known as the Shaod, which falls on Arelenes at random and used to turn them into spell-wielding Elantrians, now leaves its victims half-dead husks, exiled to live in the ruined city. Even Prince Raoden, transformed overnight, finds himself imprisoned with the others—but he’s soon rallying the downtrodden and seeking out the source of the curse. Meanwhile, his betrothed, Princess Sarene of Teod (Sanderson’s got a tin ear for names), sets about modernizing the backward Arelish court, and thwarting the schemes of the spy-priest Hrathen of Fjorden, who plots to convert Arelon to his harsh Derethi faith. Sanderson offers an unusually well-conceived system of magic, but he cuts his characters from very simple cloth: only the Derethi agent Hrathen develops any intriguing depth or complexity. Still, the pages turn agreeably, the story has some grip and it’s a tremendous relief to have fruition in a single volume. (Not that sequels won’t be coming.)
A cut above the same-old, but hardly a classic.Pub Date: May 1, 2005
ISBN: 0-765-31177-1
Page Count: 512
Publisher: Tor
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 15, 2005
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by C.L. Polk ‧ RELEASE DATE: Feb. 11, 2020
A thoughtful and passionate depiction of one woman’s struggle to discover her truest self.
A young politician confronts affairs of state, the dark secrets of the past, considerable emotional turmoil, and the weather in this follow-up to the World Fantasy Award–winning Witchmark (2018).
The country of Aeland reels after the events of the previous volume, in which Dame Grace Hensley’s brother Miles discovered that the aether network (a magical equivalent of electricity) was being powered by the souls of the dead, the brutal war with neighboring Laneer was trumped up to grab Laneeri souls for the network, the Laneeri retaliated by possessing the returning Aelander soldiers and forcing them to murder innocents, and their father was complicit in most of it. The people are angry about the loss of aether, and they would be angrier still if they knew that many of the nobles were secret witches who thrust common witches into asylums to exploit their powers. As the country’s new Chancellor, Grace is supposed to calm the people, maintain the status quo, and mollify the Amaranthines, the faerylike psychopomps who condemn the aether network’s abuse of souls. As the Voice of the Invisibles, Grace must lead a cabal of unwilling mages to quell the worst storms that Aeland has seen in centuries. But she has no support from her scheming peers, and her imprisoned father, the former Chancellor and Voice, is clearly manipulating events behind the scenes. Grace would like to free the witches and finally be honest with Aeland’s people, but she fears it will cause mass riot. However, others are forcing her hand, including Miles’ friend Robin, a medical student and secret witch, and Avia Jessup, an astute and dangerously attractive former heiress–turned-reporter who’s nearing many explosive truths. Grace is an intriguing contrast with her brother Miles, protagonist of Witchmark, who has a much more black-and-white sense of morality. Grace was the designated heir to her father’s several types of power; and while she now despises him, freeing herself of his influence and ruthless love isn’t easy for her. She has good intentions toward the people of Aeland, but she has no idea about how the other half lives. She takes her comforts for granted even as she neglects her own desires in the service of others, exemplified by the narrative’s emphasis on the many meals she misses in the course of her duties.
A thoughtful and passionate depiction of one woman’s struggle to discover her truest self.Pub Date: Feb. 11, 2020
ISBN: 978-0-7653-9899-4
Page Count: 352
Publisher: Tor
Review Posted Online: Dec. 8, 2019
Kirkus Reviews Issue: Jan. 1, 2020
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