An expertly concocted mélange of sweet romance and sharp social commentary.
An intelligent and gifted young woman seeks to forge her own path despite considerable social and financial pressures in this feminist fantasy–meets–Regency romance.
Beatrice Clayborn’s father has gone deeply into debt to allow her to present herself properly at Bendleton’s bargaining season, when eligible unmarried gentlemen select their brides. But Beatrice doesn’t want to get married; she wants to make a bargain with a greater spirit and become a mage, supporting her family’s fortunes through her considerable magic powers. Unfortunately, only men are allowed to practice the higher magics; to prevent spirits from invading pregnant women’s wombs and possessing their babies, women are denied magical lore and are locked into collars that suppress their magical potential from their weddings until menopause. When Beatrice locates a grimoire that might offer the knowledge she seeks, it brings her into the orbit of the most eligible pair of siblings on the market, the wealthy and well-connected Ysbeta and Ianthe Lavan. Ysbeta wants Beatrice to teach her how to conjure and bargain with spirits, that she might also remain unmarried and pursue magic. Ianthe’s interest in Beatrice is more romantic in nature, and Beatrice fears those feelings might be mutual. Beatrice is faced with an impossible choice: Marry Ianthe and give up the magic she loves or pursue the dangerous and forbidden path to magery; meanwhile, various parties seek to prevent Beatrice from taking either option. As in Polk’s ongoing series The Kingston Cycle, magic represents a source of political and physical power that only a select group is permitted to wield. It’s a talent that can spring up in anyone but requires opportunities and training to flourish—and whether those are available depends heavily on gender, class, and finances. Obviously, such a concept has many parallels in our own world. The author’s penetrating social critique and deeply felt depiction of one woman’s struggle for self-determination are balanced by her charming take on classic Regency romance. The tropes of the story are such that we have a reasonable expectation that Beatrice will somehow find a way to realize her dreams, however paradoxical they seem in her milieu, but the author does a nice job of ratcheting up the tension and places enough obstacles in her protagonist’s way that the reader might almost believe that failure is possible. The resolution therefore feels well earned and is pleasingly served with a righteous blow at the smugly complacent preservers of the status quo.
An expertly concocted mélange of sweet romance and sharp social commentary.Pub Date: Oct. 13, 2020
ISBN: 978-1-64566-007-1
Page Count: 384
Publisher: Erewhon
Review Posted Online: Sept. 15, 2020
Kirkus Reviews Issue: Oct. 1, 2020
BOOK REVIEW
Although the melodrama sometimes is a bit much, the superb worldbuilding and intricate plotline make this a must-read.
Using mystery and romance elements in a nonlinear narrative, SenLinYu’s debut is a doorstopper of a fantasy that follows a woman with missing memories as she navigates through a war-torn realm in search of herself.
Helena Marino is a talented young healer living in Paladia—the “Shining City”—who has been thrust into a brutal war against an all-powerful necromancer and his army of Undying, loyal henchmen with immortal bodies, and necrothralls, reanimated automatons. When Helena is awakened from stasis, a prisoner of the necromancer’s forces, she has no idea how long she has been incarcerated—or the status of the war. She soon finds herself a personal prisoner of Kaine Ferron, the High Necromancer’s “monster” psychopath who has sadistically killed hundreds for his master. Ordered to recover Helena’s buried memories by any means necessary, the two polar opposites—Helena and Kaine, healer and killer—end up discovering much more as they begin to understand each other through shared trauma. While necromancy is an oft-trod subject in fantasy novels, the author gives it a fresh feel—in large part because of their superb worldbuilding coupled with unforgettable imagery throughout: “[The necromancer] lay reclined upon a throne of bodies. Necrothralls, contorted and twisted together, their limbs transmuted and fused into a chair, moving in synchrony, rising and falling as they breathed in tandem, squeezing and releasing around him…[He] extended his decrepit right hand, overlarge with fingers jointed like spider legs.” Another noteworthy element is the complex dynamic between Helena and Kaine. To say that these two characters shared the gamut of intense emotions would be a vast understatement. Readers will come for the fantasy and stay for the romance.
Although the melodrama sometimes is a bit much, the superb worldbuilding and intricate plotline make this a must-read.Pub Date: Sept. 23, 2025
ISBN: 9780593972700
Page Count: 1040
Publisher: Del Rey
Review Posted Online: July 17, 2025
Kirkus Reviews Issue: Aug. 15, 2025
A delightful, genre-defying debut.
Historical horror? Dark fantasy? Queer romance? All of the above!
“I was hundreds of years old before I ever met him, but that day we were both young.” While visiting his Florence offices in 2013, attorney Sebastian Grave unearths a bloodstained lambskin glove that belonged to a past lover—a man he’d met in the 18th century. Nestled within this frame narrative is a tale of desire, werewolves, and the French Revolution. In telling his story, Sebastian introduces Sarmodel, the demon with whom he shares a body, and a succubus named Livia contributes chapters in which Joan of Arc, her notorious ally Gilles de Rais, and the archangel Michael all make appearances. First-time novelist Sullivan wields the tools of multiple genres deftly, but what really makes this book special is its central character. Sebastian has powerful magic at his disposal, but he’s also human enough to fall hard for a hot young nobleman. When Sebastian goes hunting for the Beast of Gévaudan, he’s not looking for adventure. The first time, it’s because he can’t resist Antoine Avenel d’Ocerne. The second time, it’s because he dreams of a reunion with his love—even though he knows this is a hopeless wish against the advice of Sarmodel. Using Sebastian as a narrator keeps things light, in part because he has a droll, contemporary voice and in part because it makes the worldbuilding feel natural. There are footnotes, but there are no infodumps. The fact that Sebastian doesn’t know exactly what he is sets the tone for storytelling that leaves a great deal unexplained while providing enough detail to keep the reader engaged. Deploying Sarmodel as a sort of alter ego and allowing Livia to offer her own perspective on Sebastian also adds both depth and charm.
A delightful, genre-defying debut.Pub Date: Feb. 24, 2026
ISBN: 9781250362766
Page Count: 544
Publisher: Tor
Review Posted Online: Jan. 19, 2026
Kirkus Reviews Issue: Feb. 15, 2026
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