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THE WILD ROSE

From the author of Rightfully Yours (1989) and First Born (1987), another commercial stew—or rather a goulash, since the subject is chiefly 20th-century Hungary—with a dash of concert- hall music and Washington skulduggery thrown in for seasoning. Mortman's wild rose is the daughter of a famous Hungarian violinist, Zoltan Gaspar, whose nonpareil hands were wrecked by a zealous officer at a Stalinist concentration camp. But Katalin, a child prodigy at the piano, carries on the family name by winning the Salzburg competition and earning a scholarship to Juilliard. In New York she reconnoiters with handsome young Steven Kardos, a hero in the Children's Army during the l953 uprising, then American immigrant and Vietnam Green Beret. But their hot young love gets nipped in the bud when Katalin's called back to Budapest to attend to her ailing mother and can't get permission to leave Hungary after Maria Gaspar dies. So she plays behind the Iron Curtain, dallies with dissidents and gypsies, and marries the Communist hard-liner Major Laszlo Bohm. Meanwhile, Steven goes to law school, weds the dauntlessly wicked Cynthia Rhinehart, and heads to Washington as a congressman. Of course, their paths cross again, now at a Kennedy Center concert (with Bernstein conducting, no less), leading Steven to maneuver himself into the Hungarian ambassadorship—from which post he plots the overthrow of Bohm and the long-delayed attainment of Katalin. Plot and settings are decently handled, but there's no excuse for the way this novel runs on: 750-plus pages are larded with unenthralling secondary characters and long scenes whose gist could have been handled in a paragraph—making this more of an endurance test than a read, even for people who have absolutely nothing planned for the summer.

Pub Date: July 17, 1991

ISBN: 0-553-07419-9

Page Count: 784

Publisher: Bantam

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: June 15, 1991

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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