An agreeable visit with a chatty old friend.
With wry humor and good sense, the Emmy-winning Italian-American Mom of Everybody Loves Raymond offers advice, recipes, and reminiscences about personal and professional good and bad times.
This is not one of those linear memoirs that proceed from humble birth to exalted present. Instead, Roberts sidetracks here, detours there, but cumulatively offers up a lively if discursive account of her life. She accompanies each chapter with an appropriate recipe, usually an example of good Italian home cooking like her potato salad or lasagna. Beginning with an assessment of Marie, the character she plays in the hit comedy, Roberts revisits particular times, experiences, and relationships. Now in her 70s, expected when young to marry early and stay home raising the children, she admits to loving Marie because if things had turned out differently she too could have been such an overbearing mother. In other chapters, Roberts describes the unusual annual Christmas party she throws for the cast (“the greed party, where guests scheme to get the gifts they want”), recalls how she landed the part; and expresses the satisfaction she gets from still being able to work. Without self-pity she describes a lonely childhood: her taciturn, critical, and divorced mother had to work, and Doris was left with grandparents who regarded her as imposition. Only an uncle gave her a sense of worth that enabled Roberts to survive her first marriage (to a man she supported while he went to law school) and difficult early attempts to become an actress. Her second husband was the love of her life, she has one son and three grandchildren, and she happily details the joys of motherhood. She seasons everything with insights she picked up along the way: the value of perseverance, a positive attitude (think pink rather than angry red), and accepting who you are.
An agreeable visit with a chatty old friend.Pub Date: May 1, 2003
ISBN: 0-312-31226-1
Page Count: 320
Publisher: St. Martin's
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 15, 2003
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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