Sharp writing, an original plot, and a strong female protagonist make for an engrossing read.
In this historical novel by Bonneau (To destroy you is no loss, 1992) a young, biracial girl in South Carolina struggles with her status as the heiress to a plantation.
It’s October 1807, just three months before Alexandra de Gambia’s 16th birthday. For the duration of her young life, she’s thought of a black girl named Luluas her playmate. Now, as she grows older, she must confront the fact that their relationship is that of mistress and slave. Heaven’s Hill, the plantation owned by her parents, who live apart, is divided in two. Her biracial mother, Josephine, rules over the big house and its slaves, and her father, a prosperous, black landownerwho goes by the nickname “The Panther,” lives with other free people of color in a village that’s a replica of his Gambian ancestors’ home. The trans-Atlantic slave trade is on the brink of being outlawed, and Alexandra is torn between two worlds: Her mother wants her to “pass” in so-called “high-born” white society, but she also wants Lulu and the other slaves to get their freedom. Alexandra overhears local white men planning to burn down her father’s stables because they think that it “Ain’t right for a darkie to own all this land,” and then a brutally racist new sheriff arrives. Will she be able to bridge the gap between black and white townsfolk? This is a riveting story that addresses the often overlooked and controversial topic of free black people owning slaves in America. Bonneau is a skilled storyteller who also ably weaves African spirituality into her plot. Alexandra’s internal battles with an African ghost, which visits her when she’s weak or fearful, are fascinating: “ ‘You don’t have the courage to do this thing,’ the Ahoelra whispers. ‘I do have the courage,’ she whispers back.” Alexandra is a tenacious heroine who’s easy to root for, and the author elegantly articulates her precarious position between white and black society. Overall, this novel explores issues of equality and personal freedom in thought-provoking ways.
Sharp writing, an original plot, and a strong female protagonist make for an engrossing read.Pub Date: June 11, 2020
ISBN: N/A
Page Count: 372
Publisher: Acorn Publishing
Review Posted Online: June 2, 2018
Kirkus Reviews Issue: July 15, 2018
Review Program: Kirkus Indie
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
BOOK TO SCREEN
Miller makes Homer pertinent to women facing 21st-century monsters.
A retelling of ancient Greek lore gives exhilarating voice to a witch.
“Monsters are a boon for gods. Imagine all the prayers.” So says Circe, a sly, petulant, and finally commanding voice that narrates the entirety of Miller’s dazzling second novel. The writer returns to Homer, the wellspring that led her to an Orange Prize for The Song of Achilles (2012). This time, she dips into The Odyssey for the legend of Circe, a nymph who turns Odysseus’ crew of men into pigs. The novel, with its distinctive feminist tang, starts with the sentence: “When I was born, the name for what I was did not exist.” Readers will relish following the puzzle of this unpromising daughter of the sun god Helios and his wife, Perse, who had negligible use for their child. It takes banishment to the island Aeaea for Circe to sense her calling as a sorceress: “I will not be like a bird bred in a cage, I thought, too dull to fly even when the door stands open. I stepped into those woods and my life began.” This lonely, scorned figure learns herbs and potions, surrounds herself with lions, and, in a heart-stopping chapter, outwits the monster Scylla to propel Daedalus and his boat to safety. She makes lovers of Hermes and then two mortal men. She midwifes the birth of the Minotaur on Crete and performs her own C-section. And as she grows in power, she muses that “not even Odysseus could talk his way past [her] witchcraft. He had talked his way past the witch instead.” Circe’s fascination with mortals becomes the book’s marrow and delivers its thrilling ending. All the while, the supernatural sits intriguingly alongside “the tonic of ordinary things.” A few passages coil toward melodrama, and one inelegant line after a rape seems jarringly modern, but the spell holds fast. Expect Miller’s readership to mushroom like one of Circe’s spells.
Miller makes Homer pertinent to women facing 21st-century monsters.Pub Date: April 10, 2018
ISBN: 978-0-316-55634-7
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Jan. 22, 2018
Kirkus Reviews Issue: Feb. 1, 2018
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