Move five in Miss Dunnett's popular adventures of that 16th century Bond/Lord Peter Wimsey — Francis Crawford of Lymond and one would chance a guess the author is not castling for an end game. The King, one step removed, is the Tsar of Russia, Ivan Vasilievich, whom Lymond serves as a mercenary with his band of fighting Scots. But Philippa, Lymond's bride in name only, has returned from Turkey (events recorded in Pawn in Frankincense, 1969) to her mother in Scotland bringing with her an orphan tot whose parentage (Lymond's or his arch enemy's, Graham Mallett?) is debated from time to time. While Lymond manages a capricious and violent Tsar and consorts with the brilliant and exciting courtesan who brought him to Russia, he also guides a group of British merchants through the intrigue-ridden intricacies of the Tsar's preserves. Philippa, now in the service of Mary, Queen of England, is busy unravelling her husband's family's past, mainly in the interest of reuniting Lymond with his mother Sybilla. When Lymond reluctantly returns to Scotland and England, both he and Philippa become entangled in plots in which land and Lymond himself are the main targets. But Philippa is as wily and cool as Lymond's "clear-lidded flower-blue eyes" about which one tires of hearing, and the two are no mean hands themselves at setting traps and collecting enemy pelts. Assassins, traitors, and old enemies come tumbling down, although at the close Lymond is tricked into safety by friends and wife — (still intact). As the others in this series, multi-layered, talky, and thick with thieves but ruthlessly busy.
Pub Date: April 3, 1972
ISBN: 014027989X
Page Count: 864
Publisher: Putnam
Review Posted Online: March 28, 2012
Kirkus Reviews Issue: April 1, 1972
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
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The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...
Talk-show queen takes tumble as millions jeer.
Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.Pub Date: March 1, 2001
ISBN: 0-609-60737-5
Page Count: 336
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2001
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