by Dorothy Garlock ‧ RELEASE DATE: Jan. 5, 2007
Tame romantic adventure with some laughable gangster dialogue and clichés galore, from the prolific Garlock.
Young woman managing a remote fishing camp encounters romance and danger after receiving a mysterious package from her estranged half brother.
To sisters Nona and Maggie Conrad, the Ozark town of Home, Ark., represents a hopeful new beginning. Called upon to raise her young sister after the sudden death of their parents four years earlier, Nona recognizes that her no-account half-brother Harold, put in charge of their father’s estate, can never be trusted to take care of them. That is why she jumps at an out-of-the-blue offer to leave Little Rock and manage Home’s Tall Pine Camp, a lakefront collection of cabins catering to fisherman. But shortly before moving to the bucolic locale, she is surprised to receive a package from Harold, who is suspected of stealing money and jewelry from the bank where he worked. Instructed to hold onto—but not to open—the box, Nona honors his wishes, for no good reason other than a hunch that it is ill-gotten gain. Nona and 14-year-old Maggie then settle in at the dilapidated resort, with Nona taking an almost instant dislike to the camp’s cocky owner Simon Wright. Nona and a smitten Simon—who seems to know an awful lot about her already—do not get to spar long, though, before Maggie is abducted by a pair of Harold’s “associates” who followed the girls to Tall Pine. Convinced that Harold had contacted his family after ripping them off, the thugs menace Maggie—who Nona never told about the package—for information. The feisty teenager holds her own against the creeps, and is rescued by local youth Dusty, who lives deep in the woods with his hippie parents. Meanwhile, frantic Nona grows closer to Simon, while holding onto a suspicion that her ruggedly handsome employer might not be who he appears to be.
Tame romantic adventure with some laughable gangster dialogue and clichés galore, from the prolific Garlock.Pub Date: Jan. 5, 2007
ISBN: 0-446-57791-X
Page Count: 384
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 1, 2006
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by Margaret Atwood ‧ RELEASE DATE: Feb. 17, 1985
Tinny perhaps, but still a minutely rendered and impressively steady feminist vision of apocalypse.
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The time is the not-so-distant future, when the US's spiraling social freedoms have finally called down a reaction, an Iranian-style repressive "monotheocracy" calling itself the Republic of Gilead—a Bible-thumping, racist, capital-punishing, and misogynistic rule that would do away with pleasure altogether were it not for one thing: that the Gileadan women, pure and true (as opposed to all the nonbelieving women, those who've ever been adulterous or married more than once), are found rarely fertile.
Thus are drafted a whole class of "handmaids," whose function is to bear the children of the elite, to be fecund or else (else being certain death, sent out to be toxic-waste removers on outlying islands). The narrative frame for Atwood's dystopian vision is the hopeless private testimony of one of these surrogate mothers, Offred ("of" plus the name of her male protector). Lying cradled by the body of the barren wife, being meanwhile serviced by the husband, Offred's "ceremony" must be successful—if she does not want to join the ranks of the other disappeared (which include her mother, her husband—dead—and small daughter, all taken away during the years of revolt). One Of her only human conduits is a gradually developing affair with her master's chauffeur—something that's balanced more than offset, though, by the master's hypocritically un-Puritan use of her as a kind of B-girl at private parties held by the ruling men in a spirit of nostalgia and lust. This latter relationship, edging into real need (the master's), is very effectively done; it highlights the handmaid's (read Everywoman's) eternal exploitation, profane or sacred ("We are two-legged wombs, that's all: sacred vessels, ambulatory chalices"). Atwood, to her credit, creates a chillingly specific, imaginable night-mare. The book is short on characterization—this is Atwood, never a warm writer, at her steeliest—and long on cynicism—it's got none of the human credibility of a work such as Walker Percy's Love In The Ruins. But the scariness is visceral, a world that's like a dangerous and even fatal grid, an electrified fence.
Tinny perhaps, but still a minutely rendered and impressively steady feminist vision of apocalypse.Pub Date: Feb. 17, 1985
ISBN: 038549081X
Page Count: -
Publisher: Houghton Mifflin
Review Posted Online: Sept. 16, 2011
Kirkus Reviews Issue: Jan. 15, 1985
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edited by Margaret Atwood & Douglas Preston
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by Khaled Hosseini ‧ RELEASE DATE: June 2, 2003
Rather than settle for a coming-of-age or travails-of-immigrants story, Hosseini has folded them both into this searing...
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Here’s a real find: a striking debut from an Afghan now living in the US. His passionate story of betrayal and redemption is framed by Afghanistan’s tragic recent past.
Moving back and forth between Afghanistan and California, and spanning almost 40 years, the story begins in Afghanistan in the tranquil 1960s. Our protagonist Amir is a child in Kabul. The most important people in his life are Baba and Hassan. Father Baba is a wealthy Pashtun merchant, a larger-than-life figure, fretting over his bookish weakling of a son (the mother died giving birth); Hassan is his sweet-natured playmate, son of their servant Ali and a Hazara. Pashtuns have always dominated and ridiculed Hazaras, so Amir can’t help teasing Hassan, even though the Hazara staunchly defends him against neighborhood bullies like the “sociopath” Assef. The day, in 1975, when 12-year-old Amir wins the annual kite-fighting tournament is the best and worst of his young life. He bonds with Baba at last but deserts Hassan when the latter is raped by Assef. And it gets worse. With the still-loyal Hassan a constant reminder of his guilt, Amir makes life impossible for him and Ali, ultimately forcing them to leave town. Fast forward to the Russian occupation, flight to America, life in the Afghan exile community in the Bay Area. Amir becomes a writer and marries a beautiful Afghan; Baba dies of cancer. Then, in 2001, the past comes roaring back. Rahim, Baba’s old business partner who knows all about Amir’s transgressions, calls from Pakistan. Hassan has been executed by the Taliban; his son, Sohrab, must be rescued. Will Amir wipe the slate clean? So he returns to the hell of Taliban-ruled Afghanistan and reclaims Sohrab from a Taliban leader (none other than Assef) after a terrifying showdown. Amir brings the traumatized child back to California and a bittersweet ending.
Rather than settle for a coming-of-age or travails-of-immigrants story, Hosseini has folded them both into this searing spectacle of hard-won personal salvation. All this, and a rich slice of Afghan culture too: irresistible.Pub Date: June 2, 2003
ISBN: 1-57322-245-3
Page Count: 368
Publisher: Riverhead
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 2003
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by Khaled Hosseini ; illustrated by Dan Williams
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