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RANGE

A brilliant novel that is as intellectually vast as it is deeply rooted in the everyday experience of being human.

A hypnotic novel by a Danish writer about the impossibly complicated search for one’s place in the universe.

Gunn Haven is an astrophysicist who studies gamma-ray bursts, or light traveling to Earth from the oldest galaxies. When the novel opens, she’s taken leave of her teaching job at the Institute and moved into a house in the country left to her by a woman named Magna. It’s not clear who Magna is or why she’s left Gunn her house. It’s also a mystery why Gunn is taking a sabbatical from teaching. Instead, the circumstances of Gunn’s life arrive in bursts: her childhood loss; the yellow house where she grew up, "with its oddities and flaws"; her father, who raised her on a diet of “numbers and spring rolls”; what she learned from Magna, including an interest in “weird children.” Occasionally, Gunn exchanges messages with Niels, a colleague who knows her perhaps better than anyone. She sometimes receives cryptic messages from "the boy," a young man of great intellectual promise (and therefore a weird child), whose journey around the world Gunn is funding against his parents’ wishes. Mostly, though, Gunn walks the roads around her house, solves equations, studies the night sky, takes the daughter of a neighbor under her wing, encouraging her to continue her education, and does her best to negotiate social situations that would appear ordinary to most but are treacherous for her. “What do I know?” she asks herself on several occasions. “What do I know that I don’t know? What would I like to know?” Repeated encounters with a difficult neighbor challenge Gunn’s faith in the scientific method of observing, noting, and concluding. In this stirring work, Nors has done the impossible: given shape to the twin mysteries of identity and consciousness without pinning either down.

A brilliant novel that is as intellectually vast as it is deeply rooted in the everyday experience of being human.

Pub Date: Aug. 18, 2026

ISBN: 9781644454046

Page Count: 320

Publisher: Graywolf

Review Posted Online: June 15, 2026

Kirkus Reviews Issue: July 15, 2026

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THE CALAMITY CLUB

Fans of Stockett’s bestselling debut will love this engaging follow-up.

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  • New York Times Bestseller

Stockett heads to Mississippi for another historical novel about feisty women.

This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.

Fans of Stockett’s bestselling debut will love this engaging follow-up.

Pub Date: May 5, 2026

ISBN: 9781954118812

Page Count: 656

Publisher: Spiegel & Grau

Review Posted Online: Feb. 2, 2026

Kirkus Reviews Issue: March 1, 2026

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PECK & PECK

Mostly charming, sometimes twee, with some really lovely things to say about poetry.

And now for some lessons in poetry and typesetting.

After Lessons in Chemistry (2022), a debut that became one of the most popular books of recent years, Garmus applies her unique comic sensibility to the story of Batter Gray, a man named after a family dog of mythic talents. A poetry maven who was reading Auden as a fourth grader, he was raised by a type-designer mother and historian father who dearly hoped he would choose some more viable profession than poetry. But via an amazing stroke of luck, he lands a job after college at Peck & Peck, an illustrious literary journal located in a beautiful building in New York City. He’s at the very bottom of the complex and dysfunctional totem pole, making copies in the basement, struggling not to run afoul of the cantankerous editor-in-chief, Salton Peck, or his smarmy assistant, Dexter York, both of whom have taken an instant dislike to our hero (and can never get his name right. Few people can). And to be honest, Batter is not without his flaws. The novel bogs down a bit in the middle, with Salton constantly excoriating his staff in ALL CAPS and much ado over the possibility that submissions have been taken outside the building, which is forbidden. Along the way, many, many famous poets are name-checked, as are many typefaces, since Batter has been raised to instantly identify a font in the wild. The best example of this occurs during his brief sojourn in jail: “The thing I kind of admired about Motherfucker II, besides his manners, was this huge tattoo he had on his neck that read I will fuck you up in ITC Bolt. Call me my mother’s son, but whoever inked it nailed the kerning.” The narrative picks up steam toward the end, as bad guys become good guys, mysteries are solved, and Batter throws one hell of a party.

Mostly charming, sometimes twee, with some really lovely things to say about poetry.

Pub Date: Oct. 13, 2026

ISBN: 9781668251065

Page Count: 432

Publisher: Scribner

Review Posted Online: July 6, 2026

Kirkus Reviews Issue: Aug. 1, 2026

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