Boyd (Mystics, Magicians, and Medicine People, 1989) serves as traveling secretary and appreciative witness to the actions of Mad Bear, a Tuscarora medicine man, in this pedantic account of their travels in the late 1970s. The pair take a spiritual and geographical journey across the United States, attending lectures and conferences devoted to healing, spirituality, and ecological and political awareness in the company of swamis, rabbis, Tibetan lamas, holistic practitioners, Japanese monks, and a panoply of other equally ethereal characters. They even appear as guests of honor at Bob Dylan's ``Rolling Thunder Review''; later, Mad Bear's tribe fetes the entire cast on the Tuscarora reservation, where Dylan is assaulted by a mousetrap and huffily leaves. If at first it is not clear to the reader that the white man has despoiled the earth and has ``assured the end of contemporary civilization,'' Boyd and his mentor deliver enough homilies and polemicize so thoroughly that the point is soon made in spades. In this New Age-y document, the reader learns that spaceships, recorded in a petroglyph on a rock wall in Arizona, brought to earth the first Native Americans; that a miniature race of beings whom Mad Bear calls ``The Little People'' has evolved side by side with humans (he has a skull the size of a Ping-Pong ball to prove it); and that Mad Bear is unceasingly clairvoyant, forever reading Boyd's thoughts—conveyed, like the dialogue, in trashy prose. As a character, Mad Bear is something of a self-promoter, although before his death in 1985 he apparently earned widespread recognition in the Native American community for his political mediating powers and his font of traditional spiritual knowledge. With a more lucid tone, this account of a medicine man's unusual life might have attracted a readership beyond fans of Boyd's previous works.
Pub Date: Dec. 1, 1994
ISBN: 0-671-75945-0
Page Count: 352
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 1, 1994
Worthwhile reference stuffed with facts and illustrations.
A compendium of charts, time lines, lists and illustrations to accompany study of the Bible.
This visually appealing resource provides a wide array of illustrative and textually concise references, beginning with three sets of charts covering the Bible as a whole, the Old Testament and the New Testament. These charts cover such topics as biblical weights and measures, feasts and holidays and the 12 disciples. Most of the charts use a variety of illustrative techniques to convey lessons and provide visual interest. A worthwhile example is “How We Got the Bible,” which provides a time line of translation history, comparisons of canons among faiths and portraits of important figures in biblical translation, such as Jerome and John Wycliffe. The book then presents a section of maps, followed by diagrams to conceptualize such structures as Noah’s Ark and Solomon’s Temple. Finally, a section on Christianity, cults and other religions describes key aspects of history and doctrine for certain Christian sects and other faith traditions. Overall, the authors take a traditionalist, conservative approach. For instance, they list Moses as the author of the Pentateuch (the first five books of the Hebrew Bible) without making mention of claims to the contrary. When comparing various Christian sects and world religions, the emphasis is on doctrine and orthodox theology. Some chapters, however, may not completely align with the needs of Catholic and Orthodox churches. But the authors’ leanings are muted enough and do not detract from the work’s usefulness. As a resource, it’s well organized, inviting and visually stimulating. Even the most seasoned reader will learn something while browsing.
Worthwhile reference stuffed with facts and illustrations.Pub Date: Sept. 1, 2005
ISBN: 978-1-5963-6022-8
Page Count: -
Publisher: N/A
Review Posted Online: May 23, 2010
Review Program: Kirkus Indie
This a book of earlier, philosophical essays concerned with the essential "absurdity" of life and the concept that- to overcome the strong tendency to suicide in every thoughtful man-one must accept life on its own terms with its values of revolt, liberty and passion. A dreary thesis- derived from and distorting the beliefs of the founders of existentialism, Jaspers, Heldegger and Kierkegaard, etc., the point of view seems peculiarly outmoded. It is based on the experience of war and the resistance, liberally laced with Andre Gide's excessive intellectualism. The younger existentialists such as Sartre and Camus, with their gift for the terse novel or intense drama, seem to have omitted from their philosophy all the deep religiosity which permeates the work of the great existentialist thinkers. This contributes to a basic lack of vitality in themselves, in these essays, and ten years after the war Camus seems unaware that the life force has healed old wounds... Largely for avant garde aesthetes and his special coterie.
Pub Date: Sept. 26, 1955
ISBN: 0679733736
Page Count: 228
Publisher: Knopf
Review Posted Online: Sept. 19, 2011
Kirkus Reviews Issue: Sept. 1, 1955
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