Readers who can accept the wildly improbable explanation behind the carnival of crime in Little Compton will find Burgess’...
When his Rhode Island Catholic college realizes he’s transgender, a history professor gets fired from his job just in time to respond to the grandmother who cried wolf once too often.
Maggie Hazard’s phoned her grandson so many times to report imagined emergencies that he lets her latest call go to voicemail. This time the message turns out to be about her discovery of a bloody corpse in the kitchen. After he finally listens to it, David Hazard, who’s just been let go because a required medical form revealed his birth name as Rosalie, packs his overnight kit and heads for Little Compton, the end-of-the-line spit of New England shoreline where his widowed grandmother lives with encroaching dementia. She shows no more signs of wear and tear than usual, but Emma Godfrey, the next-door neighbor who lavished her with care, has been killed by a collision with a frying pan. It looks like an accident caused by the collapse of a shelf full of cookware in Emma’s kitchen, but it’s actually murder, announces Sheriff Billy Dyer. David’s complicated relationship with Billy, who dated and proposed to him before he transitioned, guarantees some initial awkwardness, but soon the two are working together to figure out who killed Emma—and what happened to local celebrity Marcus Rhinegold, who disappeared aboard his yacht shortly after propositioning David and inadvertently revealing that he and his wife, Alicia, nee Crystal Gronkowski, were hiding from the murderous Molinari gang. Even though you’d think that nothing ever happens in Little Compton, David observes tellingly that “The secret to village life is concealment,” and pretty much every single member of the cast turns out to be hiding some remarkably dirty laundry.
Readers who can accept the wildly improbable explanation behind the carnival of crime in Little Compton will find Burgess’ debut strongly evocative of a distinctive place, presented in a compelling first-person voice that manages to be beyond illusions but never cynical.Pub Date: Aug. 7, 2018
ISBN: 978-1-4642-1022-8
Page Count: 296
Publisher: Poisoned Pen
Review Posted Online: May 14, 2018
Kirkus Reviews Issue: June 1, 2018
Entertaining and thoroughly engrossing.
Another reboot of Jane Austen?!? Hadlow pulls it off in a smart, heartfelt novel devoted to bookish Mary, middle of the five sisters in Pride and Prejudice.
Part 1 recaps Pride and Prejudice through Mary’s eyes, climaxing with the humiliating moment when she sings poorly at a party and older sister Elizabeth goads their father to cut her off in front of everyone. The sisters’ friend Charlotte, who marries the unctuous Mr. Collins after Elizabeth rejects him, emerges as a pivotal character; her conversations with Mary are even tougher-minded here than those with Elizabeth depicted by Austen. In Part 2, two years later, Mary observes on a visit that Charlotte is deferential but remote with her husband; she forms an intellectual friendship with the neglected and surprisingly nice Mr. Collins that leads to Charlotte’s asking Mary to leave. In Part 3, Mary finds refuge in London with her kindly aunt and uncle, Mr. and Mrs. Gardiner. Mrs. Gardiner is the second motherly woman, after Longbourn housekeeper Mrs. Hill, to try to undo the psychic damage wrought by Mary’s actual mother, shallow, status-obsessed Mrs. Bennet, by building up her confidence and buying her some nice clothes (funded by guilt-ridden Lizzy). Sure enough, two suitors appear: Tom Hayward, a poetry-loving lawyer who relishes Mary’s intellect but urges her to also express her feelings; and William Ryder, charming but feckless inheritor of a large fortune, whom naturally Mrs. Bennet loudly favors. It takes some maneuvering to orchestrate the estrangement of Mary and Tom, so clearly right for each other, but debut novelist Hadlow manages it with aplomb in a bravura passage describing a walking tour of the Lake District rife with seething complications furthered by odious Caroline Bingley. Her comeuppance at Mary’s hands marks the welcome final step in our heroine’s transformation from a self-doubting wallflower to a vibrant, self-assured woman who deserves her happy ending. Hadlow traces that progression with sensitivity, emotional clarity, and a quiet edge of social criticism Austen would have relished.
Entertaining and thoroughly engrossing.Pub Date: March 31, 2020
ISBN: 978-1-250-12941-3
Page Count: 448
Publisher: Henry Holt
Review Posted Online: Dec. 22, 2019
Kirkus Reviews Issue: Jan. 15, 2020
BOOK REVIEW
BOOK REVIEW
Anyone who believes in true love or is simply willing to accept it as the premise of a winding tale will find this debut an...
True love flares between two people, but they find that circumstances always impede it.
On a winter day in London, Laurie spots Jack from her bus home and he sparks a feeling in her so deep that she spends the next year searching for him. Her roommate and best friend, Sarah, is the perfect wing-woman but ultimately—and unknowingly—ends the search by finding Jack and falling for him herself. Laurie’s hasty decision not to tell Sarah is the second painful missed opportunity (after not getting off the bus), but Sarah’s happiness is so important to Laurie that she dedicates ample energy into retraining her heart not to love Jack. Laurie is misguided, but her effort and loyalty spring from a true heart, and she considers her project mostly successful. Perhaps she would have total success, but the fact of the matter is that Jack feels the same deep connection to Laurie. His reasons for not acting on them are less admirable: He likes Sarah and she’s the total package; why would he give that up just because every time he and Laurie have enough time together (and just enough alcohol) they nearly fall into each other’s arms? Laurie finally begins to move on, creating a mostly satisfying life for herself, whereas Jack’s inability to be genuine tortures him and turns him into an ever bigger jerk. Patriarchy—it hurts men, too! There’s no question where the book is going, but the pacing is just right, the tone warm, and the characters sympathetic, even when making dumb decisions.
Anyone who believes in true love or is simply willing to accept it as the premise of a winding tale will find this debut an emotional, satisfying read.Pub Date: Oct. 16, 2018
ISBN: 978-0-525-57468-2
Page Count: 400
Publisher: Crown
Review Posted Online: July 30, 2018
Kirkus Reviews Issue: Aug. 15, 2018
BOOK REVIEW
BOOK REVIEW
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