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WHAT HAPPENS NEXT?

Name: WHAT HAPPENS NEXT?
Author: Douglas Bauer
ISBN: 978-1-60938-183-7

MATTERS OF LIFE AND DEATH

by Douglas Bauer ‧ RELEASE DATE: Sept. 15, 2013

A literate, thoughtful memoir/essay collection from the heartland.

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Bauer, a Boston-based writer and teacher (Literature/Bennington Coll.; Prairie City, Iowa: Three Seasons at Home, 2012, etc.), was once an Iowa farm boy. In these deeply personal essays, he celebrates his family’s life in the Hawkeye State.

Age-related ailments are the author’s evocative madeleine in his search for times past in the American heartland: Cataract surgery on the day his mother died results in a warm recollection of her life; an echocardiogram for tachycardia brings forth more rural family history; in his knee, a torn meniscus carries memories of the girls for whom young Bauer pined. The author remembers the kitchen aromas, the tractor growls, the working Iowa weekdays and the quiet Sundays in a genial, gentle manner. It’s as homely as checkers, modest as an outhouse, and, too, elegant and cleareyed. With his narrative artistry, Bauer renders the commonplace uncommon. He ably brings to life his forebear farmers and their diligent wives, the mean-tempered coal-miner grandfather in his bib overalls and his wife, and the corpulent grandmother. Bauer reimagines his parents’ youthful romance and paints, as well, their later, more fraught relationship. His mother always admired well-maintained farm tillage, and his father grew more taciturn as their bond became more caustic. After he died, her memory of married life became anodyne again. Early in his writing career, Bauer was befriended by the notable food critic and essayist M.F.K. Fisher, who, in important ways, seemed to become another maternal influence. And so the answer to the rhetorical question of this work’s title is clear. As the memoir reaffirms, we live and love, and the years pass, to be relived in memory of those who follow. It’s fortunate, then, to be memorialized in essays like these.

A literate, thoughtful memoir/essay collection from the heartland.

Pub Date: Sept. 15, 2013

ISBN: 978-1-60938-183-7

Page Count: 160

Publisher: Univ. of Iowa

Review Posted Online: July 29, 2013

Kirkus Reviews Issue: Aug. 15, 2013

Categories:

GENERAL NONFICTION

- BOOK REVIEW
THE BOOK OF FAMOUS IOWANS
by Douglas Bauer

- BOOK REVIEW
THE VERY AIR
by Douglas Bauer

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NUTCRACKER

by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996

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This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

Categories:

GENERAL NONFICTION

- BOOK REVIEW
THE NUTCRACKER AND THE MOUSE KING
by E.T.A. Hoffmann ; adapted by Natalie Andrewson ; illustrated by Natalie Andrewson

- BOOK REVIEW
THE NUTCRACKER
by E.T.A. Hoffmann & illustrated by Julie Paschkis

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

by Ludwig Bemelmans ‧ RELEASE DATE: Feb. 23, 1955

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An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.