Nobody will ever accuse Canadian writer Cooper of timidity. A Frankenstein machine, psychic possession, the Holocaust, and mental illness are just some of the elements in his first novel—all about guilt, memory, and the male as sexual predator. The place: Toronto, a city governed by ``propriety,'' where wildness has been confined to the ravines. The main players: Katie and Izzy. Katie is a virgin, sweet, trusting; her expensive home juts out above a ravine. Izzy Darlow is the middle of three brothers. Older brother Aaron takes after their father, a successful developer downplaying his Jewish heritage. Aaron dreams the future; he is building a resurrection machine. Younger brother Josh, a free spirit, celebrates the past. Izzy is the reader. When he learns about the Holocaust at age 12, he tries to destroy Aaron's machine; this is the novel's center. In the ensuing chaos, Izzy is possessed; Katie is violated and rendered mute; Izzy turns delinquent and causes the deaths of Josh and their grandfather. Three years later Izzy meets Katie in a mental hospital; the two amnesiacs move from trust to urgent coupling and then to betrayal when Izzy leaves her. It sounds preposterous, summarized, but plot is only one consideration in a novel that is structurally complex (there's a narrator who has his own problems with women and memory), thematically wide-ranging (Freud, architecture, the corruption of the academy), more concerned with emotional states than traditional characters, and more reminiscent of, say, Thomas's White Hotel than Hart's Damage. Cooper's supple intelligence and crisp prose sustain the novel and succeed in distracting us from its hokey heart until, in its final section, it becomes a listless raking of the embers. A beguiling if ultimately disappointing debut from a strong new talent.
Pub Date: March 10, 1994
ISBN: 1-56282-748-0
Page Count: 224
Publisher: Hyperion
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 15, 1993
BOOK REVIEW
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.
Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind.
The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility.
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.Pub Date: July 1, 1993
ISBN: 0-06-250217-4
Page Count: 192
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1993
SEEN & HEARD
SEEN & HEARD
BOOK TO SCREEN
© Copyright 2026 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
