The writer who gave a generation its well-deserved ``X'' returns to the quasi-theological themes of his third novel, Life After God (1994), and again wanders off into spacey, New Age platitudes about death and transcendence. Although God makes no personal appearances here, He's represented by the ghost of an 18-year-old football player whose life touched all the aimless souls wandering through this media- literate narrative. After a gimmicky prologue in the voice of the dead Jared, Coupland soon shifts gears, displaying a new-found maturity and sharpness. Spanning two decades in the close-knit lives of friends in Vancouver, his kinetic text begins with the episode that lands the narrator's girlfriend in her 18-year coma. But whether it was the mix of pills and booze or Karen's premonition of a dreary future that rendered her comatose, the tragedy reverberates among her pals, whose lives will spiral out of control over the next two decades. Her boyfriend, Richard, the narrator, remains a faithful visitor to her bedside, through his go-go years as a stockbroker and his bouts of alcoholism. Of course, he must deal with their growing daughter, conceived the night before Karen's coma and unaware of her mother for seven years. And Karen's friends, to a person, all feel like losers, despite successful careers as a supermodel (Pam) and a doctor (Wendy). Drugs, overwork, and sheer boredom trouble even the seemingly-centered Linus, who eventually returns to Vancouver with all the rest. With everyone sleepwalking through life, Karen miraculously awakes, but her worst visions come true—and here the story veers into disaster-movieland, with a sleep-inducing plague overwhelming the planet. Jared returns to teach them about self-sacrifice and the need to change their lives, relying on all sorts of utopian blather and spiritual nostrums. Sappy at its core, but showing signs nonetheless of Coupland's evolution as a novelist not wholly dependent on trend- spotting and zeitgeisty patter. (Author tour)
Pub Date: April 1, 1998
ISBN: 0-06-039178-2
Page Count: 288
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 1, 1998
Originally published in German in 1962 and touted more recently as a feminist's Robinson Crusoe, this somber classic from prize-winner Haushofer chronicles the experiences of a (nameless) woman cut off from her familiar city ways in a remote hunting lodge, after Armageddon has snuffed out all life in the world beyond. With the woman's diary of activities during the first two years of isolation as foundation, the story assumes the shape and flavor of a journal. Saved from instant death by a transparent, apparently indestructible wall enclosing a substantial area of forest and alpine meadow, the woman finds relief from her isolation in companionship offered by a dog, a cat, kittens, and a cow and her calf, making them into a family that she cares for faithfully and frets over incessantly with each season's new challenges. Crops of potatoes, beans, and hay are harvested in sufficient quantity to keep all alive, with deer providing occasional meat for the table, but the satisfaction of having survived long winters and a halcyon summer is undone by a second sudden and equally devastating catastrophe, which triggers the need in her to tell her story. Although heavy with the repetition of daily chores, the account is also intensely introspective, probing as deeply into the psyche of the woman as it does into her world, which circumstances have placed in a new light. Subtly surreal, by turns claustrophobic and exhilarating, fixated with almost religious fervor on banal detail, this is a disturbing yet rewarding tale in which survival and femininity are strikingly merged. Not for macho readers.
Pub Date: Oct. 1, 1991
ISBN: 0-939416-53-0
Page Count: 244
Publisher: Cleis
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 1, 1991
BOOK REVIEW
The previous books of this author (Devil of a State, 1962; The Right to an Answer, 1961) had valid points of satire, some humor, and a contemporary view, but here the picture is all out—from a time in the future to an argot that makes such demands on the reader that no one could care less after the first two pages.
If anyone geta beyond that—this is the first person story of Alex, a teen-age hoodlum, who, in step with his times, viddies himself and the world around him without a care for law, decency, honesty; whose autobiographical language has droogies to follow his orders, wallow in his hate and murder moods, accents the vonof human hole products. Betrayed by his dictatorial demands by a policing of his violence, he is committed when an old lady dies after an attack; he kills again in prison; he submits to a new method that will destroy his criminal impulses; blameless, he is returned to a world that visits immediate retribution on him; he is, when an accidental propulsion to death does not destroy him, foisted upon society once more in his original state of sin.
What happens to Alex is terrible but it is worse for the reader.
Pub Date: Jan. 8, 1962
ISBN: 0393928098
Page Count: 357
Publisher: Norton
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: Jan. 1, 1962
SEEN & HEARD
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