One man’s personal and spiritual adventure makes for a profound and intriguing tale.
In this debut novel set in the late 1980s, a young Indian American, descended from a Buddhist saint, falls in love on his path to bringing enlightenment to the world.
John Yogacara Asanga, born to an Indian father and American mother, endures his fair share of racism in Kokomo, Indiana. After his dad dies and his mom remarries, the teenager leaves home to explore the world, starting with Chicago. He finally finds acceptance with the El Quawai gang, which runs drugs and forces girls to become sex workers. But before long, he embarks on the next part of his journey in India. Immediately smitten with Aanya Devi Ghosa, a local Indian Buddhist and widow, at an ashram, he tries to surpass her other suitors. But John has a destiny, the one his father once sought to fulfill; he wishes “to reveal to Westerners truths that emanate from the East.” A council of kings allows him to become an emissary but first tasks him with retrieving the Antahkarana, an Indian relic stolen long ago. Aanya joins John on his quest to the Kaziranga jungle, a spiritual mission that involves facing a demigod and restoring the bridge between humankind and God. Davis’ captivating novel opens with a lengthy coming-of-age tale. John falls in love twice, indulges in cocaine in Chicago, and winds up entangled in an FBI investigation. Amazingly, the story hardly slows down when he reaches India, as he competes with a prince to win Aanya’s affections and soon begins his quest. The author exalts Eastern religions, presenting such notions and sights as a “tiger-sorceress” as genuine, never otherworldly. At the same time, he deftly grounds the protagonist. Wherever he goes, John is an outcast—too dark-skinned for bigoted American schoolmates but not a “pure” Indian in Ladakh. This book unfortunately falters with a few mistakes; for example, John’s father’s death prompted the teen’s Kokomo departure in June 1988. But readers later learn that his father died in October of that year.
One man’s personal and spiritual adventure makes for a profound and intriguing tale.Pub Date: May 10, 2021
ISBN: 978-9-39-026020-1
Page Count: 256
Publisher: Rupa Publications
Review Posted Online: April 15, 2022
Review Program: Kirkus Indie
Brilliant, affecting work from one of contemporary literature’s masters.
A phone call from her past disrupts the tenuously reconstructed life of a concert pianist turned farmer’s wife.
We know from the beginning that Livia Cable is the battered survivor of her brother Cyrus’ death by suicide, a devastating romance, and a career-ending injury. Only 11 when Cyrus stepped in front of a train, she was already marked out as different in her rural Tennessee hometown by her extraordinary musical ability. The siblings had huddled together against their angry mother’s frequent beatings, and Livia still feels abandoned by Cyrus years later, when she picks up the phone to hear the voice of Sigurd, the fiery labor organizer she loved and lost to “the revolution” while on scholarship at the Indiana University School of Music. Now married to kind, steady childhood friend Charlie, Livia looks back on her affair with Sigurd as she struggles to deal with the recent death of her mother, a compulsive hoarder who left a house stuffed with junk to be disposed of and bitter memories that haven’t faded over time. Kingsolver skillfully juggles the two time frames to unravel Livia’s complicated feelings about the life she lost when her right hand was crushed and the life she has now as a country piano teacher. A partita, she explains to Sigurd early on, “is a composition made of a lot of parts with a lot of different moods…the artist’s work is to make them all add up to something that feels whole.” That’s precisely what Kingsolver does in this beautifully paced and judged narrative, which builds to revelations uncovered amid the piles of trash in Livia’s childhood home about the reasons for Cyrus’ suicide (clearly foreshadowed) and their mother’s rage (startling and heartbreaking). A fierce belief that great art is for everyone joins Kingsolver’s familiar preoccupations with class distinctions, social injustice, and the complex bonds of family and community in a tender denouement.
Brilliant, affecting work from one of contemporary literature’s masters.Pub Date: Oct. 6, 2026
ISBN: 9780063577541
Page Count: 352
Publisher: Harper/HarperCollins
Review Posted Online: July 6, 2026
Kirkus Reviews Issue: Aug. 1, 2026
Fans of Stockett’s bestselling debut will love this engaging follow-up.
Stockett heads to Mississippi for another historical novel about feisty women.
This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.
Fans of Stockett’s bestselling debut will love this engaging follow-up.Pub Date: May 5, 2026
ISBN: 9781954118812
Page Count: 656
Publisher: Spiegel & Grau
Review Posted Online: Feb. 2, 2026
Kirkus Reviews Issue: March 1, 2026
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