A lighthearted reminder of why we love the game.
Warm up and get in training for a full season of baseball poems.
Each verse focuses on one element of the game, from the baseball itself to the position players and hitters. Even the umpire has his moment. The 15 verses vary in length from eight to 16 lines, and all have strong rhythms that beg to be read with a bouncing lilt. Florian also plays with shapes and patterns of words, spacing "stretch" so it appears to do just that, and placing "leaps," "climbs" and "plummets" in their appropriate orientations. He creates some delightful phrases in "Pitcher," who is “the starter of slumps,” and “the strikeout collector.” But he also misses the mark with several rhymes and images that seem forced and clumsy. There’s little new or surprising here, but the poems generally capture the joy of boys and girls playing just for the love of the game. The introductory poems that begin the season share a page opening, while each subsequent poem has its own double-page spread with an exaggerated, elongated figure on the greens and sands of a baseball field. Rendered in a mix of gouache watercolors, oil pastels, colored pencils and pine tar (how apt!) on primed paper bags, the illustrations appear textured and touchable, with a childlike quality.
A lighthearted reminder of why we love the game. (Picture book/ poetry. 6-9)Pub Date: April 3, 2012
ISBN: 978-0-547-68838-1
Page Count: 32
Publisher: Houghton Mifflin
Review Posted Online: Jan. 17, 2012
Kirkus Reviews Issue: Feb. 1, 2012
A welcome, well-researched reflection of cultural pride in the early-reader landscape.
The fourth installment in Delacre’s early-reader series centers on the rich musical traditions of Puerto Rico, once again featuring sibling tree frogs Rafi and Rosi Coquí.
Readers learn along with Rafi and Rosi as they explore bomba, plena, and salsa in three chapters. A glossary at the beginning sets readers up well to understand the Spanish vocabulary, including accurate phoneticization for non-Spanish speakers. The stories focus on Rafi and Rosi’s relationship within a musical context. For example, in one chapter Rafi finds out that he attracts a larger audience playing his homemade güiro with Rosi’s help even though he initially excluded her: “Big brothers only.” Even when he makes mistakes, as the older brother, Rafi consoles Rosi when she is embarrassed or angry at him. In each instance, their shared joy for music and dance ultimately shines through any upsets—a valuable reflection of unity. Informational backmatter and author’s sources are extensive. Undoubtedly these will help teachers, librarians, and parents to develop Puerto Rican cultural programs, curriculum, or home activities to extend young readers’ learning. The inclusion of instructions to make one’s own homemade güiro is a thoughtful addition. The Spanish translation, also by Delacre and published simultaneously, will require a more advanced reader than the English one to recognize and comprehend contractions (“pa’bajo-pa-pa’rriba”) and relatively sophisticated vocabulary.
A welcome, well-researched reflection of cultural pride in the early-reader landscape. (Early reader. 7-9)Pub Date: Sept. 17, 2019
ISBN: 978-0-89239-429-6
Page Count: 64
Publisher: Children's Book Press
Review Posted Online: July 27, 2019
Kirkus Reviews Issue: Aug. 15, 2019
Having put together a band with renowned cousin Duck Ellington and singer “Bee” Holiday, Rooster’s chances sure look...
Winning actually isn’t everything, as jazz-happy Rooster learns when he goes up against the legendary likes of Mules Davis and Ella Finchgerald at the barnyard talent show.
Having put together a band with renowned cousin Duck Ellington and singer “Bee” Holiday, Rooster’s chances sure look good—particularly after his “ ‘Hen from Ipanema’ [makes] / the barnyard chickies swoon.”—but in the end the competition is just too stiff. No matter: A compliment from cool Mules and the conviction that he still has the world’s best band soon puts the strut back in his stride. Alexander’s versifying isn’t always in tune (“So, he went to see his cousin, / a pianist of great fame…”), and despite his moniker Rooster plays an electric bass in Bower’s canted country scenes. Children are unlikely to get most of the jokes liberally sprinkled through the text, of course, so the adults sharing it with them should be ready to consult the backmatter, which consists of closing notes on jazz’s instruments, history and best-known musicians.Pub Date: Sept. 1, 2011
ISBN: 978-1-58536-688-0
Page Count: 32
Publisher: Sleeping Bear Press
Review Posted Online: July 19, 2011
Kirkus Reviews Issue: Aug. 1, 2011
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