POETREES

Trees receive a witty and informative rhyming appreciation. Starting with a concrete poem about “The Seed” (which brilliantly snakes its way into the shape of the infinity sign) and moving into species both familiar—“Oak,” “Giant Sequoias”—and less well known—“Scribbly Gum,” “Bristlecone Pine”—Florian also introduces readers to such individual elements as “Roots” and “Bark.” The author renders his illustrations on crinkly, brown paper bags in a diverse assortment of media—gouache watercolors, colored paints, rubber stamps, oil pastels and collage—and incorporates images of humans (hands, faces, whole bodies) into many of them. Equally effective is the large double-page layout of the book, which opens top to bottom rather than left to right, giving each tree room to grow. His style is looser than in previous books, in keeping with the organic, natural theme. Although some of his wordplay falls flat (sequoias are “Ancient seers / Of three thousand years”), by and large the poems live up to his usual high standard. The author is careful to include a “Glossatree,” an author’s note and a bibliography. Readers and listeners will learn and laugh. (Picture book/poetry. 5-9)

Pub Date: March 9, 2010

ISBN: 978-1-4169-8672-0

Page Count: 48

Publisher: BBC Books/Trafalgar

Review Posted Online: March 7, 2011

Kirkus Reviews Issue: Feb. 15, 2010

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Cool and stylish.

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ADA TWIST, SCIENTIST

Her intellectual curiosity is surpassed only by her passion for science. But what to do about her messy experiments?

Ada is speechless until she turns 3. But once she learns how to break out of her crib, there’s no stopping the kinky-haired, brown-skinned girl. “She tore through the house on a fact-finding spree.” When she does start speaking, her favorite words are “why,” “how,” and “when.” Her parents, a fashion-forward black couple who sport a variety of trendy outfits, are dumbfounded, and her older brother can only point at her in astonishment. She amazes her friends with her experiments. Ada examines all the clocks in the house, studies the solar system, and analyzes all the smells she encounters. Fortunately, her parents stop her from putting the cat in the dryer, sending her instead to the Thinking Chair. But while there, she covers the wall with formulae. What can her parents do? Instead of punishing her passion, they decide to try to understand it. “It’s all in the heart of a young scientist.” Though her plot is negligible—Ada’s parents arguably change more than she does—Beaty delightfully advocates for girls in science in her now-trademark crisply rhyming text. Roberts’ illustrations, in watercolor, pen, and ink, manage to be both smart and silly; the page compositions artfully evoke the tumult of Ada’s curiosity, filling white backgrounds with questions and clutter.

Cool and stylish. (Picture book. 5-8)

Pub Date: Sept. 6, 2016

ISBN: 978-1-4197-2137-3

Page Count: 32

Publisher: Abrams

Review Posted Online: July 2, 2016

Kirkus Reviews Issue: July 15, 2016

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One of those rare thrillers whose answers are even more scarifying than its mysteries.

AFTER ALL I'VE DONE

A middle-aged woman sidelined by a horrific accident finds even sharper pains waiting on the other side of her recuperation in this expert nightmare by Hardy, familiar to many readers as Megan Hart, author of All the Secrets We Keep (2017), etc.

Five months ago, while she was on her way to the hospital with an ailing gallbladder, Diana Sparrow’s car hit a deer on a rural Pennsylvania road. When she awoke, she was minus her gallbladder, two working collarbones (and therefore two functioning arms), and her memory. During a recovery that would’ve been impossible without the constant ministrations of Harriett Richmond, the mother-in-law who’s the real reason Diana married her husband, Jonathan, Diana’s discovered that Jonathan has been cheating on her with her childhood friend Valerie Delagatti. Divorce is out of the question: Diana’s grown used to the pampered lifestyle the prenup she’d signed would snatch away from her. Every day is filled with torments. She slips and falls in a pool of wine on her kitchen floor she’s sure she didn’t spill herself. At the emergency room, her credit card and debit card are declined. She feels that she hates oppressively solicitous Harriett but has no idea why. Her sessions with her psychiatrist fail to heal her rage at her adoptive mother, an addict who abandoned her then returned only to disappear again and die an ugly death. Even worse, her attempts to recover her lost memory lead to an excruciatingly paced series of revelations. Val says Diana asked her to seduce Jonathan. Diana realizes that Cole, a fellow student in her watercolor class, isn’t the stranger she’d thought he was. Where can this maze of deceptions possibly end?

One of those rare thrillers whose answers are even more scarifying than its mysteries.

Pub Date: Nov. 10, 2020

ISBN: 978-1-64385-470-0

Page Count: 310

Publisher: Crooked Lane

Review Posted Online: Aug. 19, 2020

Kirkus Reviews Issue: Sept. 1, 2020

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Earnest and silly by turns, it doesn’t quite capture the attention or the imagination, although surely its heart is in the...

ROSIE REVERE, ENGINEER

Rhymed couplets convey the story of a girl who likes to build things but is shy about it. Neither the poetry nor Rosie’s projects always work well.

Rosie picks up trash and oddments where she finds them, stashing them in her attic room to work on at night. Once, she made a hat for her favorite zookeeper uncle to keep pythons away, and he laughed so hard that she never made anything publicly again. But when her great-great-aunt Rose comes to visit and reminds Rosie of her own past building airplanes, she expresses her regret that she still has not had the chance to fly. Great-great-aunt Rose is visibly modeled on Rosie the Riveter, the iconic, red-bandanna–wearing poster woman from World War II. Rosie decides to build a flying machine and does so (it’s a heli-o-cheese-copter), but it fails. She’s just about to swear off making stuff forever when Aunt Rose congratulates her on her failure; now she can go on to try again. Rosie wears her hair swooped over one eye (just like great-great-aunt Rose), and other figures have exaggerated hairdos, tiny feet and elongated or greatly rounded bodies. The detritus of Rosie’s collections is fascinating, from broken dolls and stuffed animals to nails, tools, pencils, old lamps and possibly an erector set. And cheddar-cheese spray.

Earnest and silly by turns, it doesn’t quite capture the attention or the imagination, although surely its heart is in the right place. (historical note) (Picture book. 5-7)

Pub Date: Sept. 3, 2013

ISBN: 978-1-4197-0845-9

Page Count: 32

Publisher: Abrams

Review Posted Online: July 17, 2013

Kirkus Reviews Issue: Aug. 1, 2013

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