It’s not a stretch to say that if Shel Silverstein himself were to have dabbled in the piratical he could not have come up...

SHIVER ME TIMBERS!

PIRATE POEMS AND PAINTINGS

Arr! ’Tis a bonny day indeed when piratical inclinations are recorded with such florid nastiness as that found in this stellar collection of seagoing poems for salty dogs.

“A pirate’s life is topsy-turvy, / Full of strife, and rife with scurvy.” Don’t believe a word of it. With Florian presenting the true life of pirates, from endless days of seafood (“If we have fish for one more day / Methinks that I will puke”) to general information (“We’re rude, crude dudes with attitudes”), it’s hard to imagine a pirate poetry book half as much fun as the one conjured up here. It helps that along with being amusing, the poems are actually informative as well. Kids learn a variety of terms in “Pirate Patter,” run through a virtual pirate thesaurus (from “buccaneers” to “salt sea-robbers”) in “Names for Pirates,” decipher what symbols mean in “Pirate Flags,” and are instructed in the difference between a privateer and a buccaneer in “Rule of the Pirate.” Bouncy verse is ably complemented by Neubecker’s pitch-perfect art. His nasty (yet nicely multicultural and including both genders) rovers are always dirty, always wild and clearly having fun on every page. 

It’s not a stretch to say that if Shel Silverstein himself were to have dabbled in the piratical he could not have come up with a better selection of scurvy doggerel than the delicious verses found here. (Picture book/poetry. 4-8)

Pub Date: Aug. 28, 2012

ISBN: 978-1-4424-1321-4

Page Count: 32

Publisher: Beach Lane/Simon & Schuster

Review Posted Online: June 20, 2012

Kirkus Reviews Issue: July 15, 2012

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Only for dedicated fans of the series.

HOW TO CATCH A MONSTER

From the How To Catch… series

When a kid gets the part of the ninja master in the school play, it finally seems to be the right time to tackle the closet monster.

“I spot my monster right away. / He’s practicing his ROAR. / He almost scares me half to death, / but I won’t be scared anymore!” The monster is a large, fluffy poison-green beast with blue hands and feet and face and a fluffy blue-and-green–striped tail. The kid employs a “bag of tricks” to try to catch the monster: in it are a giant wind-up shark, two cans of silly string, and an elaborate cage-and-robot trap. This last works, but with an unexpected result: the monster looks sad. Turns out he was only scaring the boy to wake him up so they could be friends. The monster greets the boy in the usual monster way: he “rips a massive FART!!” that smells like strawberries and lime, and then they go to the monster’s house to meet his parents and play. The final two spreads show the duo getting ready for bed, which is a rather anticlimactic end to what has otherwise been a rambunctious tale. Elkerton’s bright illustrations have a TV-cartoon aesthetic, and his playful beast is never scary. The narrator is depicted with black eyes and hair and pale skin. Wallace’s limping verses are uninspired at best, and the scansion and meter are frequently off.

Only for dedicated fans of the series. (Picture book. 5-8)

Pub Date: Sept. 1, 2017

ISBN: 978-1-4926-4894-9

Page Count: 40

Publisher: Sourcebooks Jabberwocky

Review Posted Online: July 15, 2017

Kirkus Reviews Issue: Aug. 1, 2017

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  • SPONSORED PLACEMENT

A beautifully poignant celebration of memories of a loved one that live on in those that remain.

THE SOUR CHERRY TREE

With ample emotional subtext, a young girl recalls everyday details about her beloved grandfather the day after his death.

The child bites her mother’s toe to wake her up, wishing that she could have done the same for her baba bozorg, her beloved grandfather, who had forgotten to wake up the day before. She kisses a pancake that reminds her of her grandfather’s face. Her mother, who had been admonishing her for playing with her food, laughs and kisses the pancake’s forehead. Returning to Baba Bozorg’s home, the child sees minute remnants of her grandfather: a crumpled-up tissue, smudgy eyeglasses, and mint wrappers in his coat pockets. From these artifacts the narrator transitions to less tangible, but no less vivid, memories of playing together and looks of love that transcend language barriers. Deeply evocative, Hrab’s narrative captures a child’s understanding of loss with gentle subtlety, and gives space for processing those feelings. Kazemi’s chalk pastel art pairs perfectly with the text and title: Pink cherry hues, smoky grays, and hints of green plants appear throughout the book, concluding in an explosion of vivid green that brings a sense of renewal, joy, and remembrance to the heartfelt ending. Though the story is universally relevant, cultural cues and nods to Iranian culture will resonate strongly with readers of Iranian/Persian heritage. (This book was reviewed digitally.)

A beautifully poignant celebration of memories of a loved one that live on in those that remain. (Picture book. 4-8)

Pub Date: Oct. 15, 2021

ISBN: 978-1-77147-414-6

Page Count: 32

Publisher: Owlkids Books

Review Posted Online: July 14, 2021

Kirkus Reviews Issue: Aug. 1, 2021

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A brisk if bland offering for series fans, but cleverer metafictive romps abound.

HOW TO CATCH A GINGERBREAD MAN

From the How To Catch… series

The titular cookie runs off the page at a bookstore storytime, pursued by young listeners and literary characters.

Following on 13 previous How To Catch… escapades, Wallace supplies sometimes-tortured doggerel and Elkerton, a set of helter-skelter cartoon scenes. Here the insouciant narrator scampers through aisles, avoiding a series of elaborate snares set by the racially diverse young storytime audience with help from some classic figures: “Alice and her mad-hat friends, / as a gift for my unbirthday, / helped guide me through the walls of shelves— / now I’m bound to find my way.” The literary helpers don’t look like their conventional or Disney counterparts in the illustrations, but all are clearly identified by at least a broad hint or visual cue, like the unnamed “wizard” who swoops in on a broom to knock over a tower labeled “Frogwarts.” Along with playing a bit fast and loose with details (“Perhaps the boy with the magic beans / saved me with his cow…”) the author discards his original’s lip-smacking climax to have the errant snack circling back at last to his book for a comfier sort of happily-ever-after.

A brisk if bland offering for series fans, but cleverer metafictive romps abound. (Picture book. 6-8)

Pub Date: Aug. 3, 2021

ISBN: 978-1-7282-0935-7

Page Count: 40

Publisher: Sourcebooks Wonderland

Review Posted Online: July 27, 2021

Kirkus Reviews Issue: Aug. 15, 2021

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