This crafty, energetic sequel builds beautifully on the previous installment.
An imaginative group of kids tackle interconnected mysteries, in this upper-middle–grade sequel.
Twelve-year-old Oliver Teller has a large birthmark on his face, making him unique and eager for acceptance. He lives in Raven Ridge, Colorado, with his overworked mom and younger brother, Adam. His motley circle of friends—Gio, Eduard, and Chase—love local mysteries involving possible supernatural elements. Oliver’s crush, the lovely and skeptical Jax, tries to keep the boys’ imaginations grounded while investigating cases around town. Also in Oliver’s orbit is Ana Rahela Balenovic, Raven Ridge Academy’s biggest know-it-all. When Oliver’s private journal goes missing from his backpack, an adventure begins that will require each teen’s special skill. Chase’s 16-year-old sister, Aspyn, soon hires them to solve the mystery of a pizza that vanished from the car of her boyfriend, who delivers for Valencia’s Pizza Shop. Additionally, two hikers in Canyon Creek find a severely injured man attacked by something bestial. While these happenings swirl in Oliver’s mind, he harbors feelings for Jax, whom he wants to impress. As ringleader Chase goads everyone into hunting werewolves and ghosts, Oliver is torn between fitting in and growing up. He also shoulders the trickle-down stress of seeing his mother struggle with two jobs, one of them in a bar run by a man who harasses her. When Chase’s cleverness and Jax’s passion for research help the gang advance their cases, true danger appears. Chase also contends with the strange appearances of Odyssey and the Shadow, opposing secret agents pointing toward a wider, weirder conspiracy.
Hoover’s second installment once again merges mystery and heartfelt drama, this time spotlighting the former. The large, diverse cast and small-town environment allow for plot threads to take fabulously odd paths before connecting. Well-honed characters shine even as they help reacquaint readers with prior events; e.g., “I’m Ana Rahela Balenovic! I’m part of the newspaper. I won the national essay contest, and I helped save the President of the United States!” Most of the narrative unfolds via Oliver’s first-person perspective, except for several elaborate fantasy sequences. Oliver’s viewpoint is lush with adolescent vibrancy, which assumes a more colorful world than exists. For example, when Chase explains to the sheriff that “lycanthrope” means werewolf, Oliver notes that his friend is “careful not to show any surprise at the sheriff’s ignorance about such a dangerous creature.” Jax’s concern for the environment against encroaching human populations is one of many excellent themes supporting Hoover’s detailed panorama. Some of the heaviest emotional moments are subdued, like when Adam wants to be included in his brother’s exciting life, but Oliver says, “Why don’t you just entertain yourself for a while?” Oliver is also casually cruel to Ana, who clearly adores him (see The Dirt Bike Detective, 2016). Astute readers will see that he’s passing on the rejection he’s dealt with because of his birthmark, making Oliver’s angst a remarkable, if understated, aspect of the novel. By the end, Raven Ridge keeps numerous secrets, including Chase’s belief that something sinister is happening at the academy.
This crafty, energetic sequel builds beautifully on the previous installment.Pub Date: N/A
ISBN: N/A
Page Count: 240
Publisher: Manuscript
Review Posted Online: July 6, 2022
Review Program: Kirkus Indie
PERSPECTIVES
Fans of Stockett’s bestselling debut will love this engaging follow-up.
Stockett heads to Mississippi for another historical novel about feisty women.
This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.
Fans of Stockett’s bestselling debut will love this engaging follow-up.Pub Date: May 5, 2026
ISBN: 9781954118812
Page Count: 656
Publisher: Spiegel & Grau
Review Posted Online: Feb. 2, 2026
Kirkus Reviews Issue: March 1, 2026
BOOK REVIEW
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
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